The critical text on the loose sheet by Augusto De Campos compares cummings' poetry to Mallarme's Un Coup de Des. De Campos notes that in contrast to lettrisme, in cummings' poetry the words are not dissociated from the meaning nor are letters valid by themselves. De Campos believes that the word expressionism (typographical gesturing) and disfigurement of the discursive in cummings' poetry find their best visual arts equivalent in the works of Paul Klee. This is the second edition, the first edition was published in 1960. Stored in Augusto de Campos box. -- Source of annotation: Marvin or Ruth Sackner.

Includes reproductions of the correspondence between cummings and De Campos focusing on the typesetting of the poems. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

Includes translations of Ezra Pound's Cantos. -- Source of annotation: Marvin or Ruth Sackner.

These poems were composed between 1949 and 1951 and pre-date De Campos' concrete poetry. This was deCampos' first book. -- Source of annotation: Marvin or Ruth Sackner.