The critical text on the loose sheet by Augusto De Campos compares cummings' poetry to Mallarme's Un Coup de Des. De Campos notes that in contrast to lettrisme, in cummings' poetry the words are not dissociated from the meaning nor are letters valid by themselves. De Campos believes that the word expressionism (typographical gesturing) and disfigurement of the discursive in cummings' poetry find their best visual arts equivalent in the works of Paul Klee. This is the second edition, the first edition was published in 1960. Stored in Augusto de Campos box. -- Source of annotation: Marvin or Ruth Sackner.

Includes reproductions of the correspondence between cummings and De Campos focusing on the typesetting of the poems. -- Source of annotation: Marvin or Ruth Sackner.

de Campos describes his translation of the works of Marina Tsvietaieva a Russian poet (1892-1941). -- Source of annotation: Marvin or Ruth Sackner.

Books by authors mentioned in the listing above were lent to the exhibition by the Sackner Archive and were printed on the unbound page. The exhibition was curated by Barbara Young. -- Source of annotation: Marvin or Ruth Sackner.

This is a supplement to "Visual Poetry International," held at gallery 'de doelen' Rotterdam and later at Centre 't Hoogt, Utrecht, The Netherlands in 1975. This catalogue is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue of a virtual museum consists of three books bound into one. The first is a manifesto and history of the launching of Casa das Rosas written by Jose Roberto Aguilar. The second section is the catalogue Arte Suporte Computador (Computer aas a Support for Aaart) including web art, Clip-Poemas Digitais by Augusto de Campos, High Voltage Harp by Barry Schwartz and several web site exhibitions. -- Source of annotation: Marvin or Ruth Sackner.

The duplicate copy is missing the tape casette. -- Source of annotation: Marvin or Ruth Sackner.

The analysis of the poem is based upon the version printed in Solt's "Concrete Poetry: A World View," rather than its initial publication in Noigandres 5. -- Source of annotation: Marvin or Ruth Sackner.

Theme is bossa nova and contemporary music of Brazil. -- Source of annotation: Marvin or Ruth Sackner.

This book has a very extensive bibliography on the Brazilian avant garde in the early 20th century. Unfortunately, there are scant examples provided of the poetry of this period. -- Source of annotation: Marvin or Ruth Sackner.

This poem was in the J.J. Sharkey scrapbook but Augusto De Campos disavowed this poem as not his version of it. -- Source of annotation: Marvin or Ruth Sackner.

Lectures by Claus Cluver and Roland Greene were presented in conjunction with the exhibition. The header on theis poster reads "Advertising = Poetry." The Sackner Archive lent most of the works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.