Xerox art
Subject
Subject Source: Sackner Database
Found in 355 Collections and/or Records:
Dam Diptych, 1995
Item — Box Artist Boxed Materials/Oversized: Cobbing, Bob (2 of 3): [Barcode: 31858072491313]
Identifier: CC-01070-1098
Dan Goes to Pot / Upton, Lawrence ; Cobbing, Bob., 1996
Item
Identifier: CC-45151-47332
Dancing through the Streets / Radin, Betty., 1990
Item
Identifier: CC-03375-3429
Dandelion Collaborations: Text for performance by voice, instruments, dance / Cobbing, Bob ; Upton, Lawrence., 2002
Item
Identifier: CC-42209-44213
Scope and Contents
This work was commissioned by Derek Beauleau in 2002. It was originally announced as a hard cover book but was issued as this soft cover book. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2002
Denken: Ja ; Zeitschrift for Tiegel & Tumult / Olbrich JO. ; Hainke W ; Stake C ; Jappe G ; Williams E ; Heidsieck B ; Arts A ; Noel A ; Monro N ; Baroni V ; Schnyder A ; Olbrich JO ; Perneczky G ; Luh W., 1990
Item
Identifier: CC-05293-5396
Depression / Cairns, Phyllis., 1985
Item
Identifier: CC-16669-17024
Destinataire Paris / Cobbing, Bob., 1987
Item
Identifier: CC-17446-17811
Dress - Sense / Cobbing, Bob., 1989
Item
Identifier: CC-17574-17940
Duplicatorprint / Cobbing, Bob., 1964
Item
Identifier: CC-17703-18072
Duppies / Cobbing, Bob., 1990
Item
Identifier: CC-17335-17699
E Clips E / Riddell, John., 1989
Item
Identifier: CC-03306-3356
Earthworm / Wendt, Larry., 1980
Item
Identifier: CC-00207-215
Easy Kill / Upton, Lawrence., 1998
Item
Identifier: CC-35115-36844
Echtzeit: Copy-Art/Installation / Jurgen O. Olbrich, curator ; Hainke W ; Noel A ; Olbrich JO ; Tilson J ; Williams E ; Nieslony B ; Muhleck G., 1988
Item
Identifier: CC-13527-13830
Scope and Contents
The expanded catalog with original xerox prints in an edition of 12 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1988
Echtzeit: Copy-Art/Installation / Jurgen O. Olbrich, curator ; Hainke W ; Noel A ; Olbrich JO ; Tilson J ; Williams E ; Nieslony B ; Muhleck G., 1988
Item
Identifier: CC-13528-13831
Scope and Contents
This is a limited edition catalog of the exhibition that includes prints from the exhibition. Another limited edition of signed prints enclosed within a box was published in an edition of 50 copies. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1988
Einbildungskraft - Aufmerksamkeitslenkung / Olbrich, Jurgen O.., 1994
Item
Identifier: CC-05354-5457
Electrografias / Pimenta A ; Aragao A ; Padin C ; Deisler G ; Bleus G ; Held Jjr ; Olbrich JO ; Was E ; And M ; Diotallevi M ; Monro N ; Bruscky P ; Ciani P ; Rehfeldt R ; Maggi R ; Baroni V ; Shimamoto S ; Sachse K ; Fierens L ; Aguiar F., 1991
Item
Identifier: CC-13663-13966
Electroworks / Munari B ; Maggi R ; Bruscky P ; Mittendorf H ; Blaine J ; Diotallevi M ; Cavellini GA ; Fierens L ; Frangione N ; Bertola C ; Dudek-Durer A ; Crozier R ; Colonna G ; Kamperelic D ; spence p ; Jackson S ; Baroni V ; Padin C., 1988
Item
Identifier: CC-13674-13978
Scope and Contents
Curated by Carlo Emanuele Bugatti. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1988
End Things First / Yanes, Roberto., 1994
Item
Identifier: CC-38574-40482
eros / Williams, Emmett., 1979
Item
Identifier: CC-56976-62938
Scope and Contents
These prints, depicted as reproductions in this issue, were shown in a show entitled Generations and Continuities (1979-1980) held at Carpenter Center for the Visual Arts, Harvard University.At the opening of the exhibition Yo-Yo Ma himself performed Incidental Music for Yo-Yo Ma, playing a Bach unaccompanied suite, accompanied by the late Ivan Tcherepnin making waves of electronic distortion to match the progressive complexity of the score. he five suites of serigraphs shown in the exhibition - Eros, Shakespeare's XXXth, A-Journey, Impressions of Japan and Incidental Music for Yo-Yo Ma were produced by Edition Noël at Harvard in 1979-1980. All of them are based on experiments in the electrostatic distortion and generation of texts and images. To oversimplify: I used the Xerox 3100 duplicating machine at Leverett House, Harvard University, as a creative tool to perform tasks that makers, buyers and users of such machines used to consider (a) a misuse of sophisticated hardware, (b)...
Dates:
1979