Typewriter art
Found in 833 Collections and/or Records:
[negative one] (270267) / Houedard, Dom Sylvester., 1967
The arrangement of lines in this composition forms a rectangle with one truncated side of clear space. -- Source of annotation: Marvin or Ruth Sackner.
Nero=Black / Nannucci, Maurizio., 1964
The word, 'nero' is repetitively typed to form an optical image composed of an open box that is black where the typed letters cross. -- Source of annotation: Marvin or Ruth Sackner.
Neuesausith aka (in denken an eine williamsbirns) / Steinbacher, Christian., 2016
Night Sky from the Daughters' Room / Mott, Michael., 1971
The artist composed the work on an Olympia Splendid 99. In a personal communication to Marvin Sackner in 2013, Mott stated that the his typewritings were influenced by Margaret, his first wife's (died in 1990) weavings plus reading on knots, quipu, etc and not by reading Monk's Pond that he was unaware of until the 1980s. -- Source of annotation: Marvin or Ruth Sackner.
Northern Birds in Color , 1981
Nothing Doing Never Again / Brannen, Jonathan., 1995
Jonathan Hunt Brannen, age 63, of St. Paul, MN, passed away suddenly on November 5, 2013. Jonathan was first and always a writer, although his creative spirit spilled over into everything he did. He authored eleven volumes of poetry, including Deaccessioned Landscapes (Chax Press, 2005) and five volumes of visual literature. He was a prolific musician who composed avant-garde electronic music and had a deep passion for and extensive knowledge of the blues. -- Source of annotation: Marvin or Ruth Sackner.
NRG. No.5 / Karl Kempton., 1977
This issue was edited by Dan Raphael. -- Source of annotation: Marvin or Ruth Sackner.
NRG. No.5 / Karl Kempton., 1977
nullpunkt / Wimmer, Herbert J., 2016
?o / Goeritz, Mathias., 1968
The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.
O Poems / Finch, Peter., 1981
A single poem on each page is based upon the letter "o." -- Source of annotation: Marvin or Ruth Sackner.
Oeuvres Graphiques / Ovcacek, Eduard., 2013
The works in this exhibition were done on paper. -- Source of annotation: Marvin or Ruth Sackner.
Ohm Trees / UU, David., 1971
This poem was reproduced in Dust No.16. -- Source of annotation: Marvin or Ruth Sackner.
oi / Goeritz, Mathias., 1968
The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.
Olo Baile Barcelone / Perrin, Renaud., 2011
Oo [1] / Goeritz, Mathias., 1968
The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.
Oo [2] / Goeritz, Mathias., 1968
The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.
[oooooo] (030367) [1] / Houedard, Dom Sylvester., 1967
This typing consists of eighteen lines of typed purple o's on a background of red slash lines. -- Source of annotation: Marvin or Ruth Sackner.
OOOOOOO[CR]Clavier / Mairey, Francoise., 1974
[optical m's deconstructed square (1)] / Cameron, Charles., 2013
Composed on an IBM Selectric typewriter. In a personal communication to Marvin Sackner, Cameron stated that this work was signed "upside down", is an experiment in which parts of the pattern have been dropped out and other parts (specifically the "single lines" which gave the original pattern much of its sense of curvature) remain. Different eyes will likely see different degrees of "wholeness" to the overall pattern in this variant. Original 2013. As far as the "upside down" business is concerned, I'd imagine you will be publishing the piece, if at all, right side up, and don't need to include the signature & date in any published versions -- they're there for you, purely for reasons of provenance. -- Source of annotation: Marvin or Ruth Sackner.