This review is related to the Nottingham Midland Group of Artists exhibition which included several British concrete poets. The catalog is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Review of Sackner collection of Russian Avant Garde art at the Lowe Museum, University of Miami. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a review of exhibition held at Museu de Arte Moderna, Rio de Janiero, March-April, 1959. -- Source of annotation: Marvin or Ruth Sackner.

Elena Presser's "Ana Magdalena Bach" works were lent by the Sackner Archive to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips states "he remains sceptical that photography can be considered an art form" in this preview article on the RA 150 years of photography exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This is an exhibition review of Ben Vautier's work at John Gibson's Gallery in New York. -- Source of annotation: Marvin or Ruth Sackner.

Levin writes a critique of Nancy Dwyer's exhibition at Josh Baer Gallery. -- Source of annotation: Marvin or Ruth Sackner.

In this article on French artists Joel Hubaut's contribution is described as "Among noteworthy works are Joel Hubaut's 'Chorale Epidemik,' a video installation showing the faces of 18 people singing or babbling nonsense." -- Source of annotation: Marvin or Ruth Sackner.

This column depicts a reproduction of a McGill drawing and a review of his work on display at Derek Eller Gallery. The Sackner Archive holds a drawing by McGill. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of an exhibition of the British collage artist and his wife. -- Source of annotation: Marvin or Ruth Sackner.

This review of "Ray Johnson:Correspondences" at the Whitney Mueum of American Art describes Johnson's collages as masterworks. "The visual elements they incorporated were equally diverse: pieces of photographs, magazine clips, commercial logos, abstract shapes, cartoons and above all, words: jokes, puns, anagrams, song lyrics, poetry, nonsense syllables, exclamations, dedications and lists of names of artists and actors, social luminaries and friends. The results amount to a consummate insider, a figure who was at once everywhere and nowhere in the art world, and who used his work to spin a personal myth." The Sackner Archive contains a collage of Johnson's. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of Giorno's performance at the Miami Center for Fine Arts (attended by the Sackners). -- Source of annotation: Marvin or Ruth Sackner.

Charles Bernstein wrote the text for an opera titled "Shadowtime" with musical composition by Brian Ferneyhough. the work is based on the life of the German Jewish philospher and critic, Walter Benjamin. -- Source of annotation: Marvin or Ruth Sackner.

This article reviews the exhibition at the Zabriskie Gallery, "Georges Hugnet (1906-1974): Collages." It describes Hugnet's talents as a collage artist, poet, photographer, art historian of Dada and Surrealism, film writer, playwright and publisher. Vicki Goldberg points out how the Surrealist impulse can still be found in the collage of 20th century life with the images of the urban street, TV surfing and computer special effects all infiltrating our visual environment. -- Source of annotation: Marvin or Ruth Sackner.

John Furnival writes a personal note on the top of a review article of the Sensations exhibition at the Royal Academy. The reviewer states, "Tom Phillips showed skulls at the Dulwich Gallery last year, and though they were not as gory as Marc Quinn's cranial efforts at the Sensation show, the availability of a comparison of the work of a grand old man and an Academician to boot, and the oh-so new offering of the anti-Academician tendency was telling. The theme of the body as the surprising temple of the spiritual is perennial and inexhaustible. But the new wave is adding very little, even in terms of style. The forms they are using have already been plundered, and have had the surprise knocked out of them." -- Source of annotation: Marvin or Ruth Sackner.