This work includes mocked-up pages for the book along with background material. In this book, Cobbing describes his journey from Kyoto to Tokyo using maps, schedules, and poetry to trace the route. Allen Ginsburg's poem "The Change (Kyoto to Tokyo Express)" is also included. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Cobbing describes his journey from Kyoto to Tokyo using maps, schedules, and poetry to trace the route. Allen Ginsburg's poem "The Change (Kyoto to Tokyo Express)" is also included. This copy is the first edition, the second edition also held by the Sackner Archive was published in 1981 -- Source of annotation: Marvin or Ruth Sackner.

In this book, Cobbing describes his journey from Kyoto to Tokyo using maps, schedules, and poetry to trace the route. Allen Ginsburg's poem "The Change (Kyoto to Tokyo Express)" is also included. This copy is the second edition, the first edition also held by the Sackner Archive was published in 1975 -- Source of annotation: Marvin or Ruth Sackner.

In this book, Cobbing describes his journey from Kyoto to Tokyo using maps, schedules, and poetry to trace the route. Allen Ginsburg's poem "The Change (Kyoto to Tokyo Express)" is also included. This copy is the first edition, the second edition also held by the Sackner Archive was published in 1981 -- Source of annotation: Marvin or Ruth Sackner.

Review of the Center for Book Arts exhibition from which the Sackners purchased "Miami Beach: More Than a Million Poems." The original pages of "The Heart of a Humument," held by the Sackner Archive were also on view. -- Source of annotation: Marvin or Ruth Sackner.

This book was inspired by Mayan hieroglphics. -- Source of annotation: Marvin or Ruth Sackner.

This book was printed by Philip Gallo from metal plates and bound by Daniel Kelm. Every page has watercolored additions by Drescher. -- Source of annotation: Marvin or Ruth Sackner.

This a sketch and idea book that features more handwritten ideas. A sketch for the sculpture, Air Accordion, that was commissioned for the The Beauty in Breathing 1992 exhibition, appears on page 175. An image of two rubberstamped rabbits recurs on several pages. -- Source of annotation: Marvin or Ruth Sackner.

Curated by Charlotta Kotik who contributes a critical essay. A glossary by Kolar explains the different collage types utilized by him including analphabetogramme/crazygramme, appel art, banknotes, banners, chiasmage, confrontage, crumplage, depth poems, evident poems, intercollage, letters, metaformat, prollage, rapportage, rollage, sampler collage, stratification, transformation, veils, venetian blind, and ventillage. -- Source of annotation: Marvin or Ruth Sackner.

This print contains many elements of Hubaut's oeuvre, e.g. his hand-printed text interspersed with drawn and found images, references to artists and musicians, and the chaos of statements and words filling the surface. The images include a pig, a robot, a girl, a woman's head, a skeleton, a rabbit and a nude woman, along with black ink words and phrases. The images have blue and yellow highlights added by watercolored additions -- Source of annotation: Marvin or Ruth Sackner.

The card depicts a colored photograph of an installation of Elvis memorabilia. -- Source of annotation: Marvin or Ruth Sackner.

The type face of the characters in the broadside are computer generated ding bats. -- Source of annotation: Marvin or Ruth Sackner.

Deals with the theme of mastectomy for breast cancer. -- Source of annotation: Marvin or Ruth Sackner.