Commissioned for "The Beauty In Breathing" exhibition. Clausen conducted interviews of 30 adults regarding their experiences dealing with the first and last breaths (birth and death) of someone near to them. After editing, 4th grade pupils wrote them on paper. Less personal, visual metaphors were photocopied and placed with text within a hinged, wooden box whose outside surface was coated with wax, oil and red pigment as a sensual contrast to the powerful, poignant, interior messages. -- Source of annotation: Marvin or Ruth Sackner.

Central image is a photograph standing near Tom Phillips' Curriculum Vitae painting. -- Source of annotation: Marvin or Ruth Sackner.

Central image is a scanned photograph of Marvin Sackner standing near Tom Phillips' Curriculum Vitae painting. -- Source of annotation: Marvin or Ruth Sackner.

First Draft is an intermedia collaborative arts group. The theme of the scream is based on the painting by Munch by the same name. -- Source of annotation: Marvin or Ruth Sackner.

The proceeds from this book went to support people with AIDS. -- Source of annotation: Marvin or Ruth Sackner.

Catalogue of the exhibition at the gallery, Barnsdall Art Park, Los Angeles, September - November 1992; includes 23 separate objects (2 booklets, 2 folios, 5 leaves, 1 folded sheet, 10 color postcards, 1 accordion-folded sheet and 1 poster). -- Source of annotation: Marvin or Ruth Sackner.

Published posthumously. Ninety-fifth book produced by Perishable Press Ltd. -- Source of annotation: Marvin or Ruth Sackner.

This card was addressed to John Pyros. -- Source of annotation: Marvin or Ruth Sackner.

This is a facsimile of Davis' sketchbook of 1926. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on 12 pages attached to a base composed of 2 additional pages from the preface of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages that were perforated by termite holes contain engravings that Macia has incorporated into his new images. In addition, Macia has added his own written marginalia. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 12 & 5, and pages 28 & 21 of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings and marginalia that Macia has incorporated into his new images. Macia related that he was inspired to make these drawings after visiting the Sackner Archive and viewing Tom Phillips' A Humument. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 68 & 89, and pages 112 & 15?] of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings and marginalia that Macia has incorporated into his new images. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 32 & 17, and pages 42 & 39 of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings and marginalia that Macia has incorporated into his new images. The relief elements were cut from other pages in the book. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 110 & 99, and pages 70 & 75 of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The main image in the upper drawing is a spider; Macia has created its web by repetitive writing of a poem by e.e. cummings, when skies are, in an almost micrographic style. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 46 & 35, and pages 54[?] & 61 of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings and marginalia that Macia has incorporated into his new images. The upper drawing depicts Macia's conception of the Tower of Babel. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 12 & 5, and pages 28 & 21 of a book on an astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings and marginalia that Macia has incorporated into his new images. -- Source of annotation: Marvin or Ruth Sackner.