Visual/verbal
Found in 2135 Collections and/or Records:
Recall of the Soul, 1989
Recent Paintings, Watercolours and Drawings / Phillips, Tom ; Russell J., 1973
John Russell contributed an introductory essay that analyzed Phillips' painting "Benches" as well as "A Humument." "Oh, those reds," a painting from 1969 to 1973, that is depicted in black & white in the catalogue is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Reconstruction / Moody, Graham., 1983
In this collage, the center of which features an anatomic view of the lungs, surrounding images depict the internal combustion engine, chemical experiments, mechanical and measuring instruments, and a map. The overall effect is to create in the viewer a perception that the lungs are like an engine which burns oxygen to enable the body to function just like a the internal combustion engine burns gasoline to power a car. -- Source of annotation: Marvin or Ruth Sackner.
[Red Maquette] / Hubaut, Joel., 1996
This depicts humans dressed in red, a Campbells' soup can in red, strawberries, a fish, a saucer, and a pan among others; the elements of the collage are not scaled giving rise to surrealist iconography. This collage constituted one of Hubaut's monochrome series of works. -- Source of annotation: Marvin or Ruth Sackner.
Reflection of a City Dwelling Musician, 1990
Commissioned for "The Beauty In Breathing" exhibition. Horndeski paints a bold colored, central image and surrounds it with a black wooden frame onto which he writes a narrative in white paint. The entire frame is utilized for text including mirror writing on the top and bottom. In this work, a boy is playing classical music with a French horn but around him nature is polluted by black smoke from industry. The narrative relates to music and lung anatomy. -- Source of annotation: Marvin or Ruth Sackner.
Reflexe / Eckart, Frank., 2000
Reflexions / Amarger, Michel; Devaux, Frederique; Sabatier, Roland; Satie, Alain., 1987
These works are designated as "photographies a meca-esthetiques" by the artists. -- Source of annotation: Marvin or Ruth Sackner.
Refunctioned Object / Galantai, Gyorgy., 1991
Reliquaire 89 No.4, 1989
An image of the lungs is depicted along with the phrase in French, "the beautiful breathing of the lungs is bestowed." -- Source of annotation: Marvin or Ruth Sackner.
Reliquaire de Mucus / de Charmoy, Cozette., 1976
Reliquaire: Every Sunday in Summer / de Charmoy, Cozette., 1977
Reliquaire: Every Sunday in Summer / de Charmoy, Cozette., 1977
Reliquaries 5 Reliquaries / de Charmoy, Cozette., 1976
One print depicts a variety of postal stamps with images of noses. -- Source of annotation: Marvin or Ruth Sackner.
Rencontre/To Be Continued / Dupont, Albert., 1994
Also designated A.DU2. -- Source of annotation: Marvin or Ruth Sackner.
[Replace This Band) / Olbrich, Jurgen O.., 1990
One of a series of altered postcards designated Postcard-Correction. -- Source of annotation: Marvin or Ruth Sackner.
Retour D'Exil / Lebel, Jean-Jacques ; Nanni Balestrini, curator ; Hoffman A ; Cage J ; Manzoni P ; Ferlinghetti L ; Ono Y ; Chopin H ; Burroughs WS ; Ginsberg A ; Joans T ; Dufrene F ; Blaine J ; Corso G ; Heidsieck B ; Schneeman C., 1988
This catalogue edited by Nanni Balestrini provides illustrations of Lebel's drawings, paintings and collages along with documentation of his anti-process art and happenings. -- Source of annotation: Marvin or Ruth Sackner.
Retrospective Triptych with Drawers / Genevieve Seille., 1991
This complex sculpture is composed of three sections hinged together resembling an alter piece. The two lateral elements contain hand drawn, collaged wooden pieces inserted on the front edges that can be pulled forward with a string. The entire work, front and back, is covered with Seille's unique handwriting and line drawings on paper collaged onto the wooden structure. The wooden base is actually the shipping crate Seille made and used to send the triptych to the Sackner Archive. The interior base is collaged with an original drawing, and the crate is so beautifully crafted that it serves perfectly as a base for the sculpture. -- Source of annotation: Marvin or Ruth Sackner.