Visual/verbal

Orworks: Zero. No.165 / Leiber S., 1994

Item

Identifier: CC-39370-41322

Scope and Contents

Edited by Don Milliken. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

O.U.R. Plan , 1961

Item — Folder 63: [Barcode: 31858072537974]

Identifier: CC-18762-19136

Scope and Contents

This poster, laid out with a dense packing of text, is a plea to raise money for the preservation of the worldwide environment. The map of the world is divided into six propeller-like spokes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1961

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

Outa De Cobwebs: Premonitions, 1985

Item

Identifier: CC-17426-17791

Scope and Contents

The cover is unique and was painted by Liz Was. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

Outa De Cobwebs: Premonitions / Cole, David., 1985

Item

Identifier: CC-17425-17790

Dates: 1985

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Outside It Was Snowing / Jackman, Sandra., 2005

Item

Identifier: CC-44334-46483

Dates: 2005

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Ouviver a Musica / Correa de Oliveira, Willy., 1968

Item

Identifier: CC-18574-18946

Scope and Contents

Correa de Oliveira's letter to Kenelm Cox explains the performance of his experimental music score, "Ouviver a Musica." Its name, given by Decio Pignatari, means to listen (ouvir), to live (viver), to see (ver). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Ozone , 1989

Item — Folder 62: [Barcode: 31858072537966]

Identifier: CC-15688-16017

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

P & A, 2006

Item — Box 291: [Barcode: 31858072460706]

Identifier: CC-46062-48770

Scope and Contents

The hand crafted tiles are crafted of plaster finished to a porcelian-like quality , cracked to create an aged look and feel. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS

Paar / Schmidt SJ., 1992

Item

Identifier: CC-04353-4434

Scope and Contents

Includes reproduction of Schmidt's sculpture, "Dialog der Steine der Weisen" (1986) that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Page 56 / Broel, Elisabeth., 1988

Item

Identifier: CC-22262-22684

Dates: 1988

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Page 221 from Amerika / Rollins, Tim + K.O.S., 1987 - 1990

Item

Identifier: CC-03379-3433

Scope and Contents

This print depicts a leaf-like, gold image with an narrow orifice superimposed on a page of text (p.221) from the novel, Amerika. The text reads in part ..."she rushed up the stairs, gasping for air, her mouth wide opened... The leaf- like image might be construed as a metaphor for respiration in the plant world and the narrow orifice as restriction to breathing causing "gasping for air." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987 - 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Page from a Book / Hirschman, Jack A.., 1966

Item

Identifier: CC-09486-9675

Dates: 1966

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Page from Minsky In Bed: Jill] / Minsky, Richard., 1989

Item

Identifier: CC-06353-6470

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Page from Sketchbook] / Furnival, John., 1962

Item

Identifier: CC-13244-13545

Scope and Contents

Depicts a simplified drawing of a landscape along with a weather forcast. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1962

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Page From Sketchbook] / Peterson, Robert; Basquiat JM., 1990

Item

Identifier: CC-04373-4455

Scope and Contents

According to Peter Kruty who published this print labeled A.P. but the only image printed, the work was commissioned by the Bjorn Olsson Gallery for an opening of Peterson's work. Twenty-five copies were returned to Kruty and Peterson for their own use - presumably the Sackner print was one of the 25 copies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)