Visual poetry
Found in 4849 Collections and/or Records:
Elusive Lights: Works with Light / Nauman, Bruce., 2006
Embryo: Livestock Riot 1/3. No.10 / Morris R ; Hodell A ; Bodin LG ; Mallander J ; Tellvid C., 1980
[Emerge], 1988
[Empire] / Leftwich, Jim., 2007
Empty Hands / Monteiro de Almeida, Sergio., 1996
English Stocklist / Boekie Woekie ; Broodthaers M ; Carrion U ; Chopin H ; Cutts S ; Heidsieck B ; Gibbs M ; Hansen A ; Knizak M ; Mayer HJ ; Noel A ; Phillips T ; Roth D ; Williams E ; Artmann HC ; Beuys J ; vanEgten H ; Filliou R ; Gappmayr H ; Jaschke G ; Nitsch H., 1995
Includes a large listing of Dieter Roth's works, -- Source of annotation: Marvin or Ruth Sackner.
enigma / Conti, Paolo Guglielmo., 2003
[Enjoy a Wonderful New Year] / Jackman, Sandra., 1990
Enlightenment / Petasz, Pawel., 2000
Petasz's visual works generally feature a single letter; in this piece, it is an "A." -- Source of annotation: Marvin or Ruth Sackner.
Ensaio N 499 , 1984
Ensaio para uma Interaccao de la Escrita , 1985
Entwerter/Oder: Visuelle Poesie. No.42 / Uwe Warnke, Wolfgang Nieblich, editors ; Deisler G ; Hainke W ; Lohr H ; Nieblich W ; Warnke U ; Gunther T ; Scherstjanoi V ; Sorgel H ; Jahn S ; Olbrich JO ; Jadot A ; Perneczky G ; Zielke O ; Perneczky G ; Ebel G., 1991
Entwurf / Cepl, Gernot., 1988
Environmental Forum Poetry Anthology. No.1 / Kenneth Swain, Ria Parsons, Criton Tomazos, Ian Robinson, editors ; Broodthaers M ; McCarthy U ; Stevenson M ; deBoeck R ; Robinson I ; Jessop P ; Nuttall J ; Tomazos C ; Chant M ; Cobbing B ; Cobbing J., 1970
Ephemerides II / Phillips, Tom; Cage J., 1967
Includes the text of a poem dealing with mushrooms that also was printed in Opening No.9. This painting plays with ideas that will be subsequently used by Phillips, e.g., A Humument, the concept of an image changing over time, the grid, permutations. -- Source of annotation: Marvin or Ruth Sackner.
epigrafe / Caruso, Luciano., 1998
Epigraph to: Ezra Pound for Francisco Conz, etc. / Dencker, Klaus-Peter ; Conz F., 2010
Episodes / Lewty, Simon ; Hills P., 2000
This exhibition consisted of Lewty's textural works, some overlaid with abstract markings rather than surreal creatures as in his earlier works, others purely textural with more formal lettering. In his introductory essay, Paul Hills writes that in these textural paintings, Simon Lewty "has banished the lure of the figurative...to forestall and inclination to read the painting in terms of illustration, thereby bringing us forcibly back to the work as an object, to the look of the whole, to the matter of the text and its material presence." -- Source of annotation: Marvin or Ruth Sackner.