Visual poetry
Found in 4850 Collections and/or Records:
Dear Boss I Quit / Cole, David., 1979
Dear Diary / Perez, Irma., 1984
Submitted as entry to Homage To The Mad Diarist exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Dear Helena Rubinstein - Let's Make up! I love you. Max Factor / Richard C.., 1978
Dear Marvin & Ruth / Jackman, Sandra., 2008
This card is a response to the Jackman's visit to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Dear Ruth, Best wishes on your birthday / Jackman, Sandra., 2014
Death News, 1989
Deborah Grant: A Gin Cure / Smith, Roberta; Grant D., 2006
December / Califia Books ; Knizak M ; Avadenka L ; Williams J ; Drescher H ; Hamady W ; Wolf A ; Drucker J ; ; Kruger B ; Laxson R ; King S ; Barton CJ ; Freeman B ; Cutler-Shaw J., 1993
dedo , 1992
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
Defensa de Tese: Poemas sem Fronteiras / Pontes, Hugo ; Branco J., 1997
Delivre II / Barron, Susan., 1987
This work, which was commissioned by the Sackner Archive, was subsequently made into a limited edition print with the same title. The main poem in the center of the work, constructed as a paper relief from clippings of newspapers and magazines with varied typefaces and dimensions, begins "I am writing a letter on the back side of a cloud." Other briefer poems are also incorporated into the work using fragments of different languages. The major visual image is a paper relief man-feathered-animal like figure with a poem as its tail. -- Source of annotation: Marvin or Ruth Sackner.
Delivre II / Barron, Susan., 1988
The print was reproduced from a unique collage held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Delivre II / Barron, Susan., 1988
This print was reproduced from a unique collage commissioned by the Sackner Archive; a caption at the bottom of the print makes mention of this. -- Source of annotation: Marvin or Ruth Sackner.
Delivre II Printers Sample, 1988
Print was reproduced from a unique collage commissioned by the Sackner Archive. Barron writes specific instructions to the printers on both margins of the proof. This is the second proof run by the printers. -- Source of annotation: Marvin or Ruth Sackner.
Delivre II Proof , 1988
Prints were reproduced from a unique collage held by the Sackner Archive. This proof, according to the artist, is the penultimate proof run "before the real thing." Includes specific instructions for changes to the printer. -- Source of annotation: Marvin or Ruth Sackner.
della mostro / Sanesi, Roberto ; Herbert G ; Thomas D., 1992
The Sackners purchased a cube sculpture paper covered in Sanesi's typical colored calligraphy of ink and gauche from the exhibition at the Palazzo Reale in Milan in 1983 titled "Jarry e la patafisica." Sanesi was born in 1930 and died in 2002. -- Source of annotation: Marvin or Ruth Sackner.
[Deluxe Hand Finish / Press Only] / Knapp, Dina; Burroughs WS., 1990
Demand/ Castro (October 28, 1967) / Houedard, Dom Sylvester., 1967
Demonstration, 1963
This complex collage, an illustration for Jules Verne's "Aound the World in Eighty Days," depicts a parade and a mob scene with American voting slogans and company names. The main image was cut from an engraving done around 1900. An exhibition catalogue of Kolar, Mesens, Schwitters & Hoffmeister at Grosvenor Gallery, st that Hoffmeister "...was the first artist to use typography as a total compositional medium regardless of the meaning of the actual words, concentrating on the purely visual image." Wescher (Collage 1968) wrote that he was the grand master of collage. This collage is depicted in Adolf Hoffmeister This collage is not depicted in the Adolf Hoffmeister book 1902-1973 edited by Karel Srp on page 283. -- Source of annotation: Marvin or Ruth Sackner.
Den Arbeitern von Kursk: ein vorlauffiges Denkmal von Wladimir Majakowski 1923 / Mayakovsky, Vladimir; Roschkow, Juri., 1980
Each of the 16 print rerproductions of the collages are stored within a folded unbound page. The German translation of the words in the collages is printed on the inside right cover of the unbound page. The photocollages reproduced in this portfolio are among the best visual poems of this era of Soviet history. The original of the montages are currently housed in the collection of the State Literary Museum, Moscow. -- Source of annotation: Marvin or Ruth Sackner.