Visual poetry
Found in 4850 Collections and/or Records:
Com-Media Dell'Arte / Platania N ; Guardi S ; Miccini E ; Roncoroni F ; Apolloni I ; Lambo M ; Salamone S ; Spena F., 1998
This program of year long exhibitions was curated by Michele Lambo. This exhibition also depicted Apolloni's book objects like the one held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Coma Goats Press: In Carport. No.10/May / Guy R. Beining., 1983
Coma Goats Press: Postcard #4: Aptu. No.31/Nov / Peggy lefler., 1983
Coma Goats Press: Twenty Bottoms. No.1/Dec / jw curry., 1982
The pages depict photographs of an attractive young woman in full frontal nudity altered with collaged fragmented text. This work was reprinted in a bound copy by curry in 1996. -- Source of annotation: Marvin or Ruth Sackner.
Combine / Nikonova, Rea., 1998
Come / Apolloni, Ignazio ; Cerami, Pietro ; Martini SM ; Conte V ; Carbone F., 1986
Come Funziona e Finalita / Miglietta, Enzo., 1984
[come mani brinate...] / Caruso, Luciano., 1988 - 1989
The collage consists of nine overlapping leaves in a horizontal row that have handwritten text collaged onto a white paper disc. The latter is collaged onto a green paper background. An additional leaf is collaged at the top center of ther disc. Caruso has written and cancelled a phrase beginning "come mani brinate..." in the lower half of the disc. -- Source of annotation: Marvin or Ruth Sackner.
Commentario, 1985
This book depicts and annotates Carrega's seminal work, entitled "50 modelli d'uso" that was shown the first time at Mercato del Sale in May 1978. It was remade in 1981 with 45 pieces in an edition of three copies and the Sackner Archive holds one of these editions in a specially made box. -- Source of annotation: Marvin or Ruth Sackner.
Compact, 1966
Compact, 1976
This is a reprint from the first edition that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Complex / Whitworth, Thomas., 1988
The photographs are silver prints with Sabattier effect. The image relates to military, industrial, manufacturing plants, located near New Orleans with potential pollutution of the environment. -- Source of annotation: Marvin or Ruth Sackner.
Computer Drawings and Collages / Petasz, Pawel., 1991
This catalogue is an advertisement for sale of Petasz's computer based drawings. -- Source of annotation: Marvin or Ruth Sackner.
Con Vista Sui Suoni: musica in secca / Marchetti, Walter ; Duchamp M ; Diacono M ; Schwarz A ; Marchetti W., 1994
Concepts in Visual Poetry / Ettinger, Michael., 1973
The prints are part of a series of story boards for a domestic situation that was created for a television viewing. Michael Ettinger was a British poet who was a pioneer in using computers for his work. -- Source of annotation: Marvin or Ruth Sackner.
Concreet, 1987
Concrete and Visual Poetry / Burgaud, Christian., 1990
Concrete and Visual Poetry / Cobbing, Bob, editor ; Claire, Paula, editor ; Adler J ; bissett b ; Copithorne J ; Claire P ; Arnold D ; Broudy H ; Furnival J ; Phillips T ; Cobbing B ; Houedard DS ; Gysin B ; Morgan E ; Mayer P ; Nichol bp ; Helmes S ; Schafer RM ; Finch P ; Gibbs M ; Nuttall J ; Mills N ; Crozier R ; Burke H ; Cage J ; Farrell P ; Kerouac J ; Kalman E ; McCaffery S ; Radin B ; Sellars D ; O'Sullivan M ; Oshel D ; Ward JP ; Rushmer D ; Riddell A ; Schneider L ; Schafer RM ; Suknaski A ; Whyte J., 1990
The prints making up this catalogue were those that were displayed as the exhibition. They were reproduced from prior publications. Several originals by Dom Sylvester Houedard, Peter Mayer, Jeff Nuttall, and Tom Phillips from this exhibition are held by the Sackner Archive. There was no bound catalogue published on this exhibition. Therefore, the totality of this catalogue is unique. The work is an excellent reference for the examples of concrete and poetry done in the 60's and 70's. Edith Kalman did three micrographic calligraphic prints that have been scanned into this citation. The pamphlet lists the location of the works displayed. The prints comprising the exhibition are stored in their own box withing the cobbing matrial. -- Source of annotation: Marvin or Ruth Sackner.