Visual poetry
Found in 4849 Collections and/or Records:
Chimera. No.11 / Brock R., 1984
Chirac's Paint-By-Numbers Apocalypso, 1995
The image of an explosive cloud formed by a dense collage of letraset numbers originates from a letraset formed word whose base spells "MuRuaONEY." This word may be a combination of two elements, Money and URUA, with the latter being an unidentified acronym. The image and its caption refer to the hard political policies in 1995 recommended for the French Welfare State by Chirac, the French president. The collage is one of a series designated by Baroni as 8 Unrelated Pieces for the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Chronographie Terrestra #33 Pendant Le Week-End / Haack, Horst., 1984
This piece consists of 50 drawings arranged in a 5 x 10 grid. -- Source of annotation: Marvin or Ruth Sackner.
Chronographie Terrestre: La Suite, 2008
The text accompanying the images is written in mixtures of German, English, and French without punctuation and paragraph separations. -- Source of annotation: Marvin or Ruth Sackner.
Chronographie Terrestre (Work in Progress), 2002
The text accompanying the images is written in mixtures of German, English, and French without punctuation and paragraph separations. -- Source of annotation: Marvin or Ruth Sackner.
Chronographie Terrestre (Work in Progress) / Haack, Horst., 1994
Chronographie Terrestre (Work in Progress) / Haack, Horst., 1999
Chronographie Terrestre (Work in Progress) / Haack, Horst., 1996
[CIA] / Leftwich, Jim., 2007
Ciccadi Oggettogiocnale / Lora-Totino, Arrigo., 1990
[Ciel Water Sea], 1994
The print consists of rubberstamped words in English and French arranged to form a visual poetic image of a landscape. -- Source of annotation: Marvin or Ruth Sackner.
[Ciel Water Sea], 1995
The print consists of rubberstamped words in English and French arranged to form a visual poetic image of a landscape. -- Source of annotation: Marvin or Ruth Sackner.
Cinco Cartas a la Madre / del Rivero, Elena., 1995
This books depicts images from a print portfolio done by del Rivero. -- Source of annotation: Marvin or Ruth Sackner.
Cinema / Ferrari, Vincenzo., 1988
The offset prints are tipped-in color reproductions of Ferrari's paintings. The remaining pages depict drawings and sketches of ideas. -- Source of annotation: Marvin or Ruth Sackner.
Cinnamoon Thoth Crunch, 1998
Circle Systems / Miles, Cyril., 1971
Miles states that "The circle is the sun, moon, earth, sea urchin, my eye. It is not symbolic: it exists. The circle is the camera lens, it has no beginning, no end. It is universal. Statement, restatement; thesis, antithesis; the circle is round." -- Source of annotation: Marvin or Ruth Sackner.
Circuits Integres I (1) / Heidsieck, Bernard., 1989
This collage is depicted on page 87 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Circuits Integres I (2) / Heidsieck, Bernard., 1989
This collage is depicted on page 89 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Circuits Integres I (3) / Heidsieck, Bernard., 1989
This collage is depicted on page 91 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Circuits Integres I (4) / Heidsieck, Bernard., 1989
This collage is depicted on page 94 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. It should be noted that the images for this series of collages was scanned from Heidsieck's book that mostly rendered the image an exact copy of the Sackner work. However, in this print the upper five images of the power plugs are not registered correctly. All the power plugs have the same dark brown color as the ones beow these images. -- Source of annotation: Marvin or Ruth Sackner.