Visual poetry
Found in 4850 Collections and/or Records:
C'est mon dada: Poems from Then to Now. No.51/Dec / Scott Helmes., 2010
C'est mon dada: Postcard-Corrections. No.4/Mar / Jurgen O. Olbrich., 2007
C'est mon dada: Quabel. No.86/Dec / Jozsef Biro., 2013
C'est mon dada: Quelques images de retour en 2013. No.89/Sept / Julien Blaine., 2014
C'est mon dada: Re-poesia visiva. No.90/Nov / Luc Fierens ; Sackner MA ; Sackner RK., 2014
C'est mon dada: Sacaron Navajas. No.82/Aug / John M. Bennett., 2013
C'est mon dada: Senza Pensare Inventario - Sans Penser Inventario - Without Thinking Iinventory. No.72/May / Gianpaolo Pagni ; Tangre C., 2012
C'est mon dada: Silent Work. No.88/Jun / Sam Flowers., 2014
Sam Flowers is the alias of Clau`dia Richter. -- Source of annotation: Marvin or Ruth Sackner.
C'est mon dada: six x six. No.39/Mar / Carla Bertola., 2010
Bertola describes this book a "six series of interferences - six interferences each 6 X6 36 - fringes of interferences on writings occured in July and August 2008. -- Source of annotation: Marvin or Ruth Sackner.
C'est mon dada: Threads. No.53/Jan / Carol Stetser., 2011
C'est mon dada: Ueberschrift. No.81/July / Horst Hahn., 2013
C'est mon dada: Vers T Ehen: Squares & Sequences. No.1 / March 2007 / Klaus-Pete Dencker., 2007
C'est mon dada: View from the Atrium. No.28/Apr / Weef., 2009
C'est mon dada: vviissiioonnss. No.63/Aug / Andrew Topel., 2011
C'est mon dada: Walk T Over. No.40/Apr / Bruno Chiarlone., 2010
C'est mon dada: West of Dodge. No.38/Feb / Nico Vassilakis., 2009
Some pages of this book have been done in the style of Tom Phillips' "A Humument." The altered pages are based on a book by Louis L'Amour entitled "West of Dodge." -- Source of annotation: Marvin or Ruth Sackner.
C'est mon dada: Wester Land Offline. No.47/Sep / Harmut Andryczuk., 2010
C'est mon dada: Word Theatre. No.3/Mar / Theo Breuer., 2007
C'est mon dada: Work Anonymously. No.22/Jul / Reid Wood., 2008
The cards reproduced in this issue, including one in the envelope inside the back cover, originate as a reponse to Vittore Baron's call for "Obscure Actions" and are left anonymously in public spaces for people to find. -- Source of annotation: Marvin or Ruth Sackner.