Visual poetry
Found in 4852 Collections and/or Records:
Violence / Silva, Jose Pacheco., 1992
Violent Poem / Morris, Stephen., 1971
violini , 1998
The images deal with violins. -- Source of annotation: Marvin or Ruth Sackner.
Virgule Virgile / Aeschbacher, Arthur., 1975
VI(r)US, 2005
This book is an anthology of the work of contemporary Catalan visual poets that depicts two works by the 32 contributors. -- Source of annotation: Marvin or Ruth Sackner.
Virus / Bok, Christian., 1998
Visao Segunda / De Melo e Castro, E.M.., 1982
Visceral Language / spence, pete., 2004
Each page contains a faceless man's torso that is unzipped and held by his hands. Each image is constructed of different internal types and signs and the zipper pull is positioned over the man's penis. -- Source of annotation: Marvin or Ruth Sackner.
Visceral Language / spence, pete., 2004
Each page contains a faceless man's torso that is unzipped and held by his hands. Each image is constructed of different internal types and signs and the zipper pull is positioned over the man's penis. -- Source of annotation: Marvin or Ruth Sackner.
Viscosity Induction / Winkler, Chris ; Berry J., 1989
Introduction by Jake Berry. -- Source of annotation: Marvin or Ruth Sackner.
Visibile Invisibile / Pignotti, Lamberto., 1982
Visible Invisible / Pignotti, Lamberto ; Michele Perfetti, curator ; Cavallina M., 1982
Visible Language. No.1/Win., 1994
The cover illustration, an etching by Jeanine Coupe Ryding titled "Talking to Myself," consists of a figure surrounded by abstract mirror handwriting. -- Source of annotation: Marvin or Ruth Sackner.
Visio-Textural Selectricity / Grumman, Bob, editor; Ciccariello P; And M; Chirot D; Koppany M; Young K; Grumman B; Touchon C; Higgins L; Kempton K; Murphy S; Bennett CM; Ernst KS; Endwar; Bennett JM; Hansen J; Huth G; Basinski M; Lipman J; Rosenberg MR., 2008
This assembling was produced by compiling the "favorite visual poems" by the invited contributors. Each poem is accompanied by the poet's own explanations of the works on a facing page. -- Source of annotation: Marvin or Ruth Sackner.
Vision del Particolare, 1982 - 1983
This work is based upon "Ubu Roi" by Alfred Jarry; Accame (1932-1999) was the first to translate Jarry's works into Italian. The Sackners first saw this work when they attended the exhibition "Jarry E La Patafisica" held in Milan in 1983. They purchased the work through Ugo Carrega during the exhibition. Accame was one of the co-curators of the Jarry exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Visioni del Particolare / Accame, Vincenzo; Ugo Carrega, translator. ., 1984
Consists of Accame's comments on the series of drawings with the same title held by the Sackner Archive. He indicates that he was the first to translate Jarry's poetry into Italian. The work deals with a teatise on pointology. As Accame explains, "If pataphysic is, by definition, the 'science of particulars,' what there is more particular than a point? ...'point becomes the place where beginning and end meet each other,' as you can also read in my tables." -- Source of annotation: Marvin or Ruth Sackner.
Visions of Africa and Ohio, in All Sorts of Materials / Glueck, Grace; Robinson A., 2006
This is an exhibition review of "Symphonic Poem: The Art of Aminah Brenda Lynn Robinson," at the Brooklyn Museum of Art.. The Sackner Archive lent a work to the show. -- Source of annotation: Marvin or Ruth Sackner.
Visions of Paradise / Caldera, Leslie ; Schwitters K., 1987
Visions of Paradise / Caldera, Leslie ; Schwitters K., 1987
Visions of Sugarplums and Puns / Elliott, Stuart., 1991
This article deals with the utilization of concrete and visual poetic forms in advertising. -- Source of annotation: Marvin or Ruth Sackner.