Visual poetry
Found in 4846 Collections and/or Records:
The Madness of Art by Naomi Campbell / Phillips, Tom ; Sackner MA., 2013
Nancy Campell, editor of Printmaking Today, profiles A Humument as it approaches its half century. Phillips describes how he is developing two digital versions of the artist book. In her personal letter to the Sackners, Campell writes,"I thought you would like a copy for the archive. I am thrilled to have Tom's witty 'mise en scene' of the magazine format on the cover. I also wish to acknowledge my gratitude, since I found Marvin Sackner's essay 'Humuantism' a useful resource." -- Source of annotation: Marvin or Ruth Sackner.
The Magical World of David Cole / Cole, David ; Allen B., 1984
Blair H. Allen edited the artwork. -- Source of annotation: Marvin or Ruth Sackner.
The Marvels of Professor Pettingruel, 1978
Peter Koch illustrated this surrelistic novel with six visual poetic images and Shelly Hoyt made the binding. -- Source of annotation: Marvin or Ruth Sackner.
The Marvels of Professor Pettingruel, 1978
Peter Koch illustrated this surrelistic novel with six visual poetic images and Shelly Hoyt made the binding. Nations drew two small boxes next to his signature, one designated yes, the other no; the yes box is checked. -- Source of annotation: Marvin or Ruth Sackner.
The Matter (Seria Entropy), 2002
The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.
The Missiles with Warheads / Saunders, Robert., 1984
The Moralist, 2002
This work features ambiguities related to censorship. The label of two cigarette packs, "Lucky Strike" is cancelled to leave only "Lust." The cancelling device is a large block of wood with black paint at its tip that serves as phallic symbol. -- Source of annotation: Marvin or Ruth Sackner.
The More They Write, the More They Write / Czeczot, Andrej., 1988
The Mystic Explorer / Podwel, Mark., 1980
Podwell illustrates a review by Cynthia Ozick using Hebrew letters and symbols. -- Source of annotation: Marvin or Ruth Sackner.
The Need to Know / Jackman, Sandra., 2009
The New National Theatre is yours / Phillips, Tom., 1977
The content of the image is mainly taken from pages of A Humument. -- Source of annotation: Marvin or Ruth Sackner.
The Next Worst Thing to Being Here / Bradley, Daniel f.., 1988
Edited by Greg Evason. -- Source of annotation: Marvin or Ruth Sackner.
The Only Good Luddite Is a Dead Luddite , 1963
Luddites were bands of workers in England (1811-1816) organized to destroy machinery under the belief that its use diminished employment. Ned Luddite, an 18th century Leicestershire worker originated the idea. Furnival depicts a man's body flattened by a Rube Goldberg like machine with numbers streaming from upper pipes of the machine. Stored in Odds & Sods. Depictd in Furnival's "Lost for Words" (2011 page 138. -- Source of annotation: Marvin or Ruth Sackner.
The Other's Writing / Lehmann, Pablo ; Rodrigo Alonso, curator., 2011
Lehmann cuts small capital letters of Spanish texts on paper and creates two and three dimensional unique works. -- Source of annotation: Marvin or Ruth Sackner.
The Oxidized Renegade / Baroni, Vittore; Ciullini, Daniele., 1980
The Papertailor of Susannia / Lakner, Susanna., 2011
The Parchment Is Burning , 1985
The full title of this print, a quote from Rabbi Hanina Ben Tradyon, is "The Parchment is Burning but the Letters are Flying Free." It depicts Hebrew letters arranged randomly above a collaged, burnt surface of paper at the bottom of the print. Tradyon was an ancient Talmudic scholar who was executed for his beliefs. -- Source of annotation: Marvin or Ruth Sackner.
the peerless Mantra / Petasz, Pawel., 2000
Petasz's visual works generally feature a single letter; in this piece, it is an "I." -- Source of annotation: Marvin or Ruth Sackner.
The Philadelphia Love / Indiana, Robert., 1975
Folio contains offset lithographic version of Indiana's "Love" poem and "Wherefore the Punctuation of the Heart." -- Source of annotation: Marvin or Ruth Sackner.
The Pillow Book; ...Pillow Book: A Record of How the Text Developed through Exchange / Cole, David ; Shonagon, Sei ; Stetser, Carol., 1991
Sei Shonagon was a lady-in-waiting at the court of the Japanese Empress in 990 A.D. who kept a note book on the people, places and things she encountered in her daily life. Cole and Stetser used these notes as the basis for their collaboration. -- Source of annotation: Marvin or Ruth Sackner.