In Rhapsodomancy, Eckhoff remembers Pitman Shorthand and Unifon, a 40 character phonetic alphabet. "Using these two phonic alphabets as image, his poems tease out a relationship between voice and words and visual poetry." According to Geof Huth, "His is a visual poetry at the edge of the textual and fully visual, resplendant with fragmentary bits of language and formal games filled with humor...We learn from this book that play is the deepest form of learning." -- Source of annotation: Marvin or Ruth Sackner.

The pages are cut in the shape of the letter 'E.' -- Source of annotation: Marvin or Ruth Sackner.

This drawing on orange paper depicts leaves arranged symmetrically radiating from the center outward. The leaves are formed with written letterforms in red ink and intersperced vertical spokes with printed letterforms in blue ink. -- Source of annotation: Marvin or Ruth Sackner.

Commissioned for "The Beauty In Breathing" exhibition. Highly stylized image of the lungs with words and symbols used to illustrate the act of breathing, which the artist has depicted as a musical event. -- Source of annotation: Marvin or Ruth Sackner.

Each image consists of a loose caricature of a poet or friend whose name is written on the right side of the drawing. -- Source of annotation: Marvin or Ruth Sackner.

These are two drawings that translate the Italian into English for the standing screen by Tola with the same title owned by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The curator, Cesar Trasobares, contributed an in depth, historical essay for the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Catalogue lists mainly visual poetry magazines of the 1960's - 1980's. -- Source of annotation: Marvin or Ruth Sackner.

The drawing iks framed but not covered with a plexiglas sheet. It was the cover image for a card announcing a private viewing at the Serpentine Gallery 1985. -- Source of annotation: Marvin or Ruth Sackner.

The arrangement of the words of this poem have their roots in the roccoco period. -- Source of annotation: Marvin or Ruth Sackner.

Trax was founded by P. Ciani(Unit 01) and V. Baroni(Unit 02) in Spring 1981. Later M. Giacon(Unit 03) joined in. It was not a real art movement but an international network of independent units, who produced new graphics, musical or literary styles but new ways of organizing and releasing cultural products (records, audioimages, comics, xerographies, exhibitions, etc.) In June 1987, Units 01 and 02 were terminated and the final report, Last Trax issued. -- Source of annotation: Marvin or Ruth Sackner.

The main caption of this anti-police state drawing, printed in large blue, eraser stamped letters reads, "Rodney King Resists Arrest." The latter refers to the unwarranted police beating of Rodney King in Los Angeles, who did not resist arrest, that was taken unbeknownst to the police on video and aired to the American public. -- Source of annotation: Marvin or Ruth Sackner.

The image on the card is the name ROLEX with its painting of the trademark gold crown on distressed wood. Liversidge writes to Ruth and Marvin Sackner that his 24 Diary Cards "are about to start again after the uneventful summer months! I hope your (sic) both well and that one day we might meet up - take care - Best wishes." -- Source of annotation: Marvin or Ruth Sackner.

A bright red, triangular shape frames a black erect penis with scrotum. This print relates in layout to "The Erik Satie Road-sign, second version" made by Furnival and Moore, a print also held by the Sackner Archive. Because of the similarity, the Moore print is stored in with the Furnival prints in the flat files. -- Source of annotation: Marvin or Ruth Sackner.