Visual art
Found in 5469 Collections and/or Records:
Drawings and Collages 1957-1967 / Masson, Andre., 1991
Drawings and Paintings / Garcez, Paulo Gomes., 1991
Drawings as Prints / Gardner, Ian ; Willetts, David ; Cutts S ; Lucie-Smith E ; Williams J., 1974
The drawings depict still lifes and landscapes without text. -- Source of annotation: Marvin or Ruth Sackner.
Drawings / bissett, bill., 1974
Drawings / Evason, Greg., 1989
Drawings from a Distant Shore / Hatherly A ; Jotta A., 1994
Drawings Objects and Prints / Beuys, Joseph., 1994
The Sackner Archive lent the work "Buttocklifting" to the Center for Fine Arts Beuys exhibition in Miami. -- Source of annotation: Marvin or Ruth Sackner.
Drawings / Themerson, Franciszka., 1992
Drawings/Zeichnungung 1965-1986 / Nauman, Bruce., 1986
Dream / Depew, Wally., 1973
The prints consist of single four letter words including fade, bunt, slow and rant on abstract colored backgrounds. -- Source of annotation: Marvin or Ruth Sackner.
Dream of Dreams / Nations, Opal L.., 1979
Nation did the 20 visual cartoon drawings in this book that depict imagined dreams. -- Source of annotation: Marvin or Ruth Sackner.
Dreams Fantasies and Recollections / Ely, Roger., 1987
Dreams Of Nostalgia / UU, David., 1988
This card is a b&w photograph of a collage made up of two elderly ladies sitting across a table and a hand holding a burning match. -- Source of annotation: Marvin or Ruth Sackner.
Dreamtime Talkingmail. No.4/Sum / Miekal And, Elizabeth Was, editors., 1993
Dreamtime Talkingmail. No.6/Sum / Miekal And, Elizabeth Was, editors., 1994
Dress Eclectique / Dervaux, Isabelle., 1987
Dresses and Costumes: The Russian Avant-Garde 1920-1924 / Exter A ; Popova L., 1981
The photograph depicts the reconstruction of the set by Popova for Meyerhold's play "The Magnanimous Cuckold." -- Source of annotation: Marvin or Ruth Sackner.
Drukgrafik / Rehfeldt, Robert., 1980
Drum Scroll / Hirschman, Jack A.., 1991
The text of this work relates to the native American drum which Hirschman heard while attending a protest meeting for Leonard Peletier, a native American, who has been incarcerated for many years. The painting was done on the floor giving Hirschman the impression that he was doing a "sand painting." -- Source of annotation: Marvin or Ruth Sackner.