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Visual art

 Subject
Subject Source: Sackner Database

Found in 5469 Collections and/or Records:

Drawings as Prints / Gardner, Ian ; Willetts, David ; Cutts S ; Lucie-Smith E ; Williams J., 1974

 Item
Identifier: CC-60693-10003558
Scope and Contents

The drawings depict still lifes and landscapes without text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

Drawings Objects and Prints / Beuys, Joseph., 1994

 Item
Identifier: CC-24030-24480
Scope and Contents

The Sackner Archive lent the work "Buttocklifting" to the Center for Fine Arts Beuys exhibition in Miami. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Dream / Depew, Wally., 1973

 Item
Identifier: CC-58087-10001336
Scope and Contents

The prints consist of single four letter words including fade, bunt, slow and rant on abstract colored backgrounds. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Dream of Dreams / Nations, Opal L.., 1979

 Item
Identifier: CC-38281-40177
Scope and Contents

Nation did the 20 visual cartoon drawings in this book that depict imagined dreams. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Dreams Of Nostalgia / UU, David., 1988

 Item
Identifier: CC-48350-69375
Scope and Contents

This card is a b&w photograph of a collage made up of two elderly ladies sitting across a table and a hand holding a burning match. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Dresses and Costumes: The Russian Avant-Garde 1920-1924 / Exter A ; Popova L., 1981

 Item
Identifier: CC-14604-14917
Scope and Contents

The photograph depicts the reconstruction of the set by Popova for Meyerhold's play "The Magnanimous Cuckold." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Drum Scroll / Hirschman, Jack A.., 1991

 Item
Identifier: CC-09165-9346
Scope and Contents

The text of this work relates to the native American drum which Hirschman heard while attending a protest meeting for Leonard Peletier, a native American, who has been incarcerated for many years. The painting was done on the floor giving Hirschman the impression that he was doing a "sand painting." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991