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Visual art

 Subject
Subject Source: Sackner Database

Found in 5486 Collections and/or Records:

cahiers de la 5th feuille, les. No.3/Apr / Julien Blaine., 2003

 Item
Identifier: CC-44620-46783
Scope and Contents

A major section deals with photographic views of vulvae that have been hand colored. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

cahiers de la 5th feuille, les. No.4/Apr / Julien Blaine., 2004

 Item
Identifier: CC-44627-46790
Scope and Contents

In this issue, vulvae are a visual topic; Blaine likens the vulva to differing typographic parentheses. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Cahiers du College de Pataphysique: La Drajonne. No.27 / Jarry A., 1962

 Item
Identifier: CC-16676-17031
Dates: 1962
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Cahiers Loques: Autoportrait. / Photo Rouff., 1984

 Item
Identifier: CC-16693-17048
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Cahiers Loques: Complot de Famille. / Jean-Francois Bory., 1982

 Item
Identifier: CC-16674-17029
Scope and Contents

This book consists of photographs of Bory juxtaposed with collaged photographs of his parents and grandparents. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Cahiers Loques: Lumpen. / A. Labelle-Rojoux., 1981

 Item
Identifier: CC-27947-29093
Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Cahiers Loques: my name is.... / Claude Pelieu-Washington., 1981

 Item
Identifier: CC-27946-29092
Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Cahiers Loques: Reve. / Angeline Neveu., 1982

 Item
Identifier: CC-16671-17026
Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Calendar 1995 / Golden, Alisa., 1994

 Item
Identifier: CC-10571-10776
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Calendar 2005-2006 / Hoffmeister, Adolf ; Kafka F ; Styrsky J ; Aragon L., 2005

 Item
Identifier: CC-51498-72596
Scope and Contents

Several of the illustrations that consist of collages and drawings are also reproduced in the major Hoffmeister catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Calendar / Arc Publications ; Benveniste A ; Lijn L ; Nuttall J ; Griffiths B ; Fisher A ; Ward T., 1979

 Item
Identifier: CC-26963-27437
Scope and Contents

The September page designed by Asa Benveniste depicts a grid of 15 Hebrew 'hey's and two 'yod's' as a metaphor for the 17 syllable Japanese Haiku poetic structure. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Calendario 1988 / Carillo, Armando Saenz., 1987

 Item
Identifier: CC-31172-32640
Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Calligrafia / Baruchello GF ; Cattania L ; Lai M ; Mesciulam P ; Mussio M ; Osti M ; Patella L ; Simonetti GE ; Xerra W., 1982

 Item
Identifier: CC-17021-17377
Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Calligraphic Lettering, 1983

 Item — Box 312: [Barcode: 31858072490828]
Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

[Calligraphic Markings] / Phillips, Tom., 1983

 Item
Identifier: CC-04265-4344
Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Calling Card Maquette / Hubaut, Joel., 1999

 Item
Identifier: CC-36670-38484
Scope and Contents

The mat frames out the rest of the larger photographic image (1994) of an assemblage of Hubaut's objects to provide the final image for the calling card, also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Calypso / Finlay, Ian Hamilton ; Gerahy, Laura., 1996

 Item
Identifier: CC-35259-36993
Scope and Contents

The narrative of the recto side of the cards deals with Homer's Ulysses and his encounter with the fairy, Calypso. The narrative of the verso side of the cards deals with a contemporary naval incident involving the boarding of a French fishing boat, La Calypso, by the British navy. The illustrations on each page and the folder are line drawings of sea creatures. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Camera Lucida: Reflections on Photography / Barthes, Roland ; Richard Howard, translator., 1981

 Item
Identifier: CC-51064-72145
Scope and Contents Barthes distinguishes erotica from pornographic photographs as follows. "The Photograph is unary when it emphatically transforms "reality" without doubling it, without making it vacillate (emphasis is a power of cohesion) : no duality, no indirection, no disturbance. The unary Photograph has every reason to be banal, "unity" of composition being the first rule of vulgar (and notably, of academic) rhetoric: "The subject," says one handbook for amateur photographers, "must be simple, free of useless accessories; this is called the Search for Unity." News photographs are very often unary (the unary photograph is not necessarily tranquil). In these images, no punctum: a certain shock-the literal can traumatize -but no disturbance; the photograph can "shout," not wound. These journalistic photographs are received (all at once) , perceived. I glance through them, I don't recall them; no detail (in some corner) ever interrupts my reading: I am interested in them (as I am interested in the...
Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Canadian Art. No.1/Spr / Racine R., 1993

 Item
Identifier: CC-20274-20671
Scope and Contents

The essay "Rober Racin's Magnum Opus" by Peggy Gale states that "in his peregrinations through history, music and art, this Montreal master of many media pursues a kind of fine madness." His technique and justification for making the "pages-miroirs," from the Petit Robert dictionary, two of which are held by the Sackner Archive, are described in detail. For example, a black square marks the 3 longest definitions on the page. Each time the defined word appears, it is underlined and gilded, etc. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Canadian Small Change Association: CP Woodbridge North / curry, jw., 1995

 Item
Identifier: CC-20812-21220
Scope and Contents

Scene from curry's Hobo trip on Canadian Pacific Railroad. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

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