Visual art
Found in 5474 Collections and/or Records:
Works & Interviews 1999 - 2014 / Jacobson, Michael., 2014
In an interview with Lynn Alexander, Michael Jacobson describes asemic writing and the influence of Tim Gaze on his work. Jacobson states that asemic writing is a nataural combination of texts and images and "sits between art & literature." He believes "asemic writing is descended from all forms of writing,...and also captures the techno-anxiety & information overload of a post-literate culture better than traditional forms of literary expression." -- Source of annotation: Marvin or Ruth Sackner.
Works of Art from the Past Millennium / Horndeski, Gregory., 2000
Wade Wilson contributes an incisive essay on the technical, socio-political and artistic background of Horndeski's paintings. "The artist paints on a horizontal canvas, like Pollack, with a knife and uses fluid acrylic paints which permit him to "achieve some remarkable effects as the paints mix on the canvas." -- Source of annotation: Marvin or Ruth Sackner.
Works on Paper / El Hanani, Jacob., 1995
The drawings were geometric and abstract markings done in af micrographic style. An accompanying review from Art in America indicates that a drawing takes two to three months to complete. -- Source of annotation: Marvin or Ruth Sackner.
Works. Texts. to 1974 3rd edition / Phillips, Tom., 1983
This is the "third" edition of the book that presents a retrospective of Phillips' ouevre. The "second" edition and its year of publication are a mystery. -- Source of annotation: Marvin or Ruth Sackner.
Works. Texts. to 1974 / Phillips, Tom., 1975
This is the first edition of the book that presents a retrospective of Phillips' ouevre. In view of the importance of Tom Phillips in shaping the Sackner Archive, one copy is stored as a reference text, the other copy with Tom Phillips books in a box in the alcove off the second bedroom. -- Source of annotation: Marvin or Ruth Sackner.
Worksandwordsandworlds / Della Casa, Guiliano ; Ferro, Luigi ; Gerra, Marcos ; Ulrichs Timm ; Lora-Totino A., 1968
Worksandwordsandworlds / Della Casa, Guiliano ; Ferro, Luigi ; Gerra, Marcos ; Ulrichs Timm ; Lora-Totino A., 1968
The duplicate is an unsigned version. -- Source of annotation: Marvin or Ruth Sackner.
World Design Conference Tokyo 1960 / Ernst, Jupp, editor ; Roh F ; Moholy-Nagy L ; Ray M ; Albers J., 1962
Most of the illustrations in this book were done by students. -- Source of annotation: Marvin or Ruth Sackner.
World Sounds World Sounds / Kryss, Tom L., editor ; Beck A ; Turnbull G ; Leed J ; Taylor K ; levy da., 1989
This is an anthology of previously published poems. -- Source of annotation: Marvin or Ruth Sackner.
World Trading Cards. No.2 / Dellafiora D ; Osowski F ; Banana A ; Brown P ; Lenoir P ; Lakner S ; Baroni V ; Bates K ; Collins P ; Stetser C., 2003
World Wall One - Miami Beach , 2014
The Sackners contributed the coral rock to John Furnival's stone wall collection in his home garden in Stroud. -- Source of annotation: Marvin or Ruth Sackner.
[World's Greatest Showman] / Rocola, Robert., 1992
Canon print. -- Source of annotation: Marvin or Ruth Sackner.
Wormwood Review, The: Horses don't Bet on People & neither do I. No.95 / Charles Bukowski., 1984
Edited by Marvin Malone. The entire issue is devoted to poems by Charles Bukowski who signed it with a small ink drawing. -- Source of annotation: Marvin or Ruth Sackner.
Wos Up Man? - Selections from the Joseph D. and Janet M. Shein Collection of Self-Taught Art / Wolfli A ; Young P ; Zinelli C ; Finster H., 2005
Wow. special number / Szombathy B ; Beuys J ; Vukov A., 1975
Writing To Be Seen - Book and Related Arts by Visual Poets / Kathy S. Ernst, curator ; Marilyn R. Rosenberg, curator ; Beining G ; Cole A ; Ernst KS ; Fox W ; Grumman B ; Helmes S ; Hill C ; Keith B ; Kempton K ; Lipman J ; Rosenberg MR ; Stetser C ; Young K ; Phillips T., 2002
This exhibition checklist was curated by Kathy Ernst and Marilyn Rosenberg. -- Source of annotation: Marvin or Ruth Sackner.
Writings. No.2 / Paolo Della Grazia, editor ; Ferrari V ; Villa E ; Neruda P ; Govoni C ; Dante ; Ginsberg A ; Pessoa F., 2003
WtHEre? / Rypson, Piotr., 1980
The pages consist of hand and finger prints in pink ink. -- Source of annotation: Marvin or Ruth Sackner.
WtHEre? / Rypson, Piotr., 1980
The pages depict handprints and fingerprints in red ink. -- Source of annotation: Marvin or Ruth Sackner.
WtHEre? / Rypson, Piotr., 1980
The pages depict handprints and fingerprints in red ink. -- Source of annotation: Marvin or Ruth Sackner.