Visual art
Found in 5474 Collections and/or Records:
Virgil in his Study [from Dante's Inferno], 1979 - 1980
This is an imagined portrait of Virgil for Phillips' translation of Dante's Inferno. He is poised over the sixth book of the Aeneid, the principal source for Dante's Comedy. A detailed analysis of this work written by Phillips is printed on page 236 of Works and Texts (1992). -- Source of annotation: Marvin or Ruth Sackner.
Virgins & Vampires, 1975
The line drawing is located near the title page. -- Source of annotation: Marvin or Ruth Sackner.
Visao Segunda / De Melo e Castro, E.M.., 1982
Visions and Revisions / Tansey, Mark., 1992
This catalog was written by Arthur C. Danto. -- Source of annotation: Marvin or Ruth Sackner.
Visions from Brazil: The Drawings of Paulo Gomes Garcez / Garcez, Paulo Gomes., 1993
Visions. No.4 / Spector B., 1990
Edited by Peter Frank. -- Source of annotation: Marvin or Ruth Sackner.
Visual Art: To Sober and Quiet the Mind by Kathan Brown / Cage, John ; Sumsion C., 2000
This book consists of Cage's visual prints created at the Crown Point Press. -- Source of annotation: Marvin or Ruth Sackner.
Visual Delight v Visual Disaster. No.2 / Joe Decie, editor ; Leigh M ; Dellafiora D ; Lenoir P ; Collins P ; spence p ; Crozier R ; Held Jjr ; Breuer T., 1998
Each page has two images, the top one, a visual delight and the bottom one a visual disaster. For example, one page depicts at its top, torso of a female body builder and at the bottom a Picasso-like portrait. -- Source of annotation: Marvin or Ruth Sackner.
Visual Haiku / Helmes, Scott., 2015
Visual Poetry and Paintings / Morris, Stephen., 1973
Visual Poetry and Paintings / Morris, Stephen., 1975
Visual Poetry Collaboration. No.18, 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices;The Traditional poem as Postmodern Transformer; pages 106--107 / Weiss, Irving., 1994
This poem is based upon John Lydgate(1370-1451?), from The Dance of the Death. -- Source of annotation: Marvin or Ruth Sackner.
VisualKultur.cat / Vincenc Altaio, curator ; Daniel Girait-Miracle, curator ; Tapies A ; Dali S ; Brossa J ; Miro J ; Rossell B ; Roth D ; Plensa J ; Mirazaev A ; DeVree F ; Pazos C ; Altaio V ; Jaar A., 2007
This exhibition consisted of Catalan artist books, periodicals and graphic designs. The Sackner Archive holds three of the artist books depicted in this catalogue, viz., Brossa and Mikro's 'Oda a Joan Miro,' Zush and DeVree's 'Evumonie Ceremonie Cephalique,' and Oazos and Altaio's 'l'amour latent.' The Sackner Archive also holds several issues of the periodical, 'Neon de Suro' that are depicted in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.
Vita Communi / Houedard, Dom Sylvester., 1952
In the image it appears like people are sharing bread. According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Vita / Gerlovina, Rimma; Gerlovin, Valeriy., 2002
The artists sent this contact print from one of their last works that was photographed around Marvin Sackner's birthday. Rimma is the subject with her long, curled hair and her hand holding a red string that penetrates her hair and spells out the word "vita" over her left shoulder. In the letter to Marvin, fastened to the back of the matted photograph, The Gerlovinas write, "Ars longer, vita brevis said the elders, you try to prolong both 'vita' with your profession and 'ars' with your collection." -- Source of annotation: Marvin or Ruth Sackner.
Vite, la Nuit Fleurit / Pelieu, Claude., 1994
Viva Vagina: Eine Frau Reflektiert Die Situation Der Frau / Pezold, Frederique., 1973
Also designated No.26 of series by Reflection Press. Frederique Pezold was a menber of Herman Nitsch's OM theater. Edited by Albrecht D. -- Source of annotation: Marvin or Ruth Sackner.