Print depicts portraits of Pieromaria Ciani and Vittore Baroni in silhouetted profile with blocks of colors substituted for facial details. -- Source of annotation: Marvin or Ruth Sackner.

This photograph depicts a double exposure of the sound poet, Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.

The dust jacket is chipped and torn in several places. However the black cloth cover and the text and images are in fine condition. The prose and poems are printed in back to back reversed sections for each of the two novels. The novel "For Jesus Lunatick" is printed without punctuations in a highly experimental layout including several numbered blank pages. The latter are for numbered illustrations placed in the center section that the reader is requested to cut and paste to the respective page. "Andy "is punctuated and layed out experimentally with some pages concrete poetic in appearance. It, too, has several pages that are numbered and blank with exception of a single number placed at different locations to receive the illustrations from the cutttings in the center section. -- Source of annotation: Marvin or Ruth Sackner.

In contrast to the first edition in which the prose and poems were printed in back to back reversed sections for each of the two novels, the printing in this second edition is sequential. The illustrations are printed in their designated positions for "Andy" but the pages are left blank for the novel "For Jesus Lunatick. The book design is not nearly as successful as the first edition that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This essay concludes Phillips' fifty-part series on music in art through the ages. The essays are published in "Music and Art" by Prestel in 1997. The article also depicts two Humument pages, the originals of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This fifth issue of 2wice has the theme of nightime and sleep. J. Abbott Miller is the editor and art director. -- Source of annotation: Marvin or Ruth Sackner.

Several artyping techniques were utilized for these images, e.g., masking, packing letters closely together, overtyping (text over text), moving paper to obtain wavy lines of characters, and punctuation marks joined together to obtain non-linear lines. -- Source of annotation: Marvin or Ruth Sackner.

This is the third work created by Carlos Luis on Ubu. He writes that Ubu "represents everything that is grotesque, mischievous, cruel, arbitrary and dictatorial in our world. UBU could be a present day tyrant using his power (in front of a government or a corporation), to subjugate others. UBU is an archtype." The video is by Daniel Vinoly which adds to Carlos Luis' renderings a sense of black humor that forms an intrinsic part of Jarry's creation. The image of the handcolored print is reminiscent of works of Zush. -- Source of annotation: Marvin or Ruth Sackner.

The poet's name and address are collaged to inside back cover. -- Source of annotation: Marvin or Ruth Sackner.

This first edition book was written between October 1989 and April 1990. The layout and design were by sloy (aka Sandra Loy) and the cover and drawings were by nic (aka Nicholas). -- Source of annotation: Marvin or Ruth Sackner.

The signed, ink, line drawing was done on the facing pages just after the colophon. -- Source of annotation: Marvin or Ruth Sackner.

Octovio Paz contributed a critical essay titled "Vestibule." -- Source of annotation: Marvin or Ruth Sackner.