Also designated No.2 in Poesia e Prosa Rara o Inedita. Cover was designed by Pavanello. Presents poems of Pietro Silvio Rivetti also known as Toddi, a futurist poet who worked in the twenties. A caricature of Toddi in 1929 by Onorato is reproduced in a photocopied colored print. Belloli provides a critical introduction to Toddi's works. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes a long interiew between Francois Bernheim and Roland Topor. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Tom Phillips, apparently engaged in thought in his studio, while seated against a wall onto which is pinned part of his Dante's Inferno Diary. The diary is now held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts one of Tom Phillips' assistant making a silkscreen print in Phillips' studio for Dante's Inferno. -- Source of annotation: Marvin or Ruth Sackner.

This photograph was taken during the summer Sara Sackner spent in London. Phillips is depicted at work on a large print of "Dante's Inferno." -- Source of annotation: Marvin or Ruth Sackner.

Writer reviews Phillips' exhibition at the National Portrait Gallery. She mentions "The Dante Binding" 1981-1982, a painting held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue includes a b&w reproduction of Phillips "Benches"; a poster of this image and the Archive of it is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This was the exhibition in which the Sackners first encountered the artworks of Tom Phillips. Unfortunately, this catalogue is not illustrated with images of his work - only descriptions in German that included 114 works from 1962-1975. All the pages of A Humument (1966-1973) were displayed between two panes of glass amounting to 367 drawings. -- Source of annotation: Marvin or Ruth Sackner.

This catalogur includes a b&w reproduction of a Humument Cartoon, a print in 75 copies; a copy of this print is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent six works to this exhibition which was acknowledged in the pamphlet. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Tom Phillips with an assistant reviewing prints for Dante's Inferno in Phillips' studio. The large drawing, "Speaking in Tongues" (1980) is seen on the wall. This work was subsequently acquired by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Tom Phillips seated in his studio with a cup of coffee by his side. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Nick Kite, one of Tom Phillips' assistants, along with Phillips reviewing a print for Dante's Inferno in Phillips' studio. -- Source of annotation: Marvin or Ruth Sackner.

The case is a modified cigarette case and the drawings are rolled within paper, printed wrappers like cigar wrappers. The drawings depict cryptic messages, images, writings, blank paper, perforations, and mathematical formulae as might be expected if this case were carried by a spy. -- Source of annotation: Marvin or Ruth Sackner.

An image of a gun emerges in four stages on a three dimensional grid. -- Source of annotation: Marvin or Ruth Sackner.

An image of a gun emerges in four stages on a three dimensional grid. -- Source of annotation: Marvin or Ruth Sackner.

Neither the edition size of the book nor the edition size of the print is provided. The book reproduces Topor's drawings mostly in black and white, several of which are erotic in imagery. -- Source of annotation: Marvin or Ruth Sackner.