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Visual art

 Subject
Subject Source: Sackner Database

Found in 5474 Collections and/or Records:

The Four Musicians of Breman / Farrell, Patricia., 1996

 Item
Identifier: CC-45117-47297
Scope and Contents

The poem appears to be a telling of a dream accompanied by semi-realistic/abstract illustrations. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

The Garden, 1995

 Item — Box 208: [Barcode: 31858072460144]
Identifier: CC-03005-3050
Scope and Contents

This is the 2nd edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

The Garden of Distances / Kelly, Robert ; Mahlknecht, Brigitte ; Dante., 1999

 Item
Identifier: CC-35699-37450
Scope and Contents

The poems by Kelly were inspired by the 38, calligraphic, map-like drawings of Mahlknecht. The process between them was a continuing collaboration between the poet and painter. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

The Girl in Glass / Smith, William Jay ; Huizdovsky, Jacques., 2002

 Item
Identifier: CC-42652-44670
Scope and Contents

This book was a birthday present from William Jay Smith to Marvin Sackner. Huizdovsky contributed woodcuts to illustrate the book of love poems by Smith. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

The Grass Poems / McGinniss, James., 1997

 Item
Identifier: CC-30743-32188
Scope and Contents

Wes Disney contributed several abstract, figurative, charcoal drawings that are reproduced in this book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

the great indoors / Robson, Aurora., 2008

 Item
Identifier: CC-50262-71329
Scope and Contents

This catalogue depicts large sculptures made from discarded plastic colored bottles. Robson recycles "junk." The two bookmarks are exhibition announcements from Robson's alternative space for other artists house in her studio in Brooklyn. The Sackners visited her there and purchased a collage made from junk mail. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

The Great Orange Shapes Special Ishu #11 / Depew, Wally., 1972

 Item
Identifier: CC-53090-74236
Scope and Contents

Some pages have an orange or blue painted watercolor background. The blank facing page has a bleed through image from the preceding page and is counted as a page according to the recommendation of Wally Depew. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

The Great Orange Shapes Special Issue #11 [maquette] / Depew, Wally., 1970

 Item
Identifier: CC-53091-74237
Scope and Contents

The handwriting is on the colophon page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

The Hell Passport Project, 2007

 Item — Box 278: [Barcode: 31858073143400]
Identifier: CC-50012-71071
Scope and Contents Each issue within the box covers varying engagements with surrealism through drawings and text. Some topics depicted are floral forms (#4), cartoons (#5), hell (#6), pessimism (#7), humor (#7), nightmares (#9), fragmentation (#10)This issue consists of surrealistic drawings and text. -- Source of annotation: Marvin or Ruth Sackner. This issue consists of surrealistic drawings that resemble paint by number drawings. -- Source of annotation: Marvin or Ruth Sackner. This issue consists of surrealistic drawings by Fiona Smyth. -- Source of annotation: Marvin or Ruth Sackner. This issue consists of surrealistic drawings of floral forms by Julie Voyce. -- Source of annotation: Marvin or Ruth Sackner. This issue consists of cartoon-like surrealistic drawings by Ben b. Jacques. -- Source of annotation: Marvin or Ruth Sackner. This issue consists of a lively tale of things the author imagines he will have or not have in hell. -- Source of annotation: Marvin or Ruth Sackner. This...
Dates: 2007

the imated classic (27 FEB 1968) / Dom Sylvester Houedard., 1968

 Item
Identifier: CC-56873-10000238
Scope and Contents

The work is inscribed "for hop w/luv." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

the imated classic (27 FEB 1968) / Dom Sylvester Houedard., 1968

 Item
Identifier: CC-56873-10000238
Scope and Contents

The work is inscribed "for hop w/luv." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968