Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

The print collection deals mainly with the works of American artists supported by the WPA program during the great depression of the 1930s. One such artist was Samuel Margolies who was Dr Sackner's patient. Margolies gave Dr. Sackner several of his prints from the period and planned to donate his entire Archive to Sackner but shortly prior to getting everything together, a fire broke out in his studio and destroyed all his works that were stored there. Hersh Cohen, owner of the American prints, provided an excellent essay on his art collecting experiences. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue illustrates ancient Italian church vestments made by Molinari in watercolor on paper and wood. Texts by thirteen historians and art critics are included. -- Source of annotation: Marvin or Ruth Sackner.

This Christmas gift from Bart consists of instructions on how to mount the given objects that are stored in a red silk bag onto a printed paper base creating a constructivistic minataure landscape. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts an image with visual reference or shape to a stocking. It appears to have been done by students attending the school and its purpose was as a Seasons Greetings book. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this publication deals with different arrangements and applications of materials to form compositions with red, black and translucent, solid discs or circles. The work comprises ten non-verbal works. -- Source of annotation: Marvin or Ruth Sackner.

The book was designed by Harry Burrus. The four line drawings that were reproduced in this book were made by Guy Beining. -- Source of annotation: Marvin or Ruth Sackner.

This is a b&w photograph from Stonypath garden that depicts a carved stone inscribed "See Poussin Hear Lorrain." -- Source of annotation: Marvin or Ruth Sackner.

This card consisting of a b&w photograph depicts a carved stone submarine in Stonypath garden. -- Source of annotation: Marvin or Ruth Sackner.

In Phillips' book Works and Text (1992), he indicates that this print (page 134) was based upon two types of weathered matchbox trays from behind the Iron Curtain. This print constitutes one of six prints from walking 1/2 mile around Phillips' studio - it is based on the belief that there are no dull walks, only dull walkers. -- Source of annotation: Marvin or Ruth Sackner.

Apolloni's story of the golden egg is illustrated by Roberto Zito and is graphically designed by Pietro Cerami. -- Source of annotation: Marvin or Ruth Sackner.

This book includes the scripts of eight short plays. -- Source of annotation: Marvin or Ruth Sackner.

Sarah Schmerler writes about this exhibition, "Martin Wilner's series "Making History" (monthly calendar drawings started in 2002) combines disparate, often disturbing images lifted from current events - George Bush's distorted face, men in surgical masks - with snippets of ephemera like sheet music, making visual sense of a world gone chaotically awry...it's the raw and honest approach to drawing shared by Gabel and Wilner that mades the ferry trip worthwhile." The Sackner Archive holds three of the monthly calendar drawings. -- Source of annotation: Marvin or Ruth Sackner.

This booklet is cited in two places because the first author listed is Cutts but it is listed in the Finlay bibliography. Straiks" or "strakes" are stripes of different color from the rest of the surface of which they form a part (OED). The text plays upon variations: streams, streets, streaks, straiks. -- Source of annotation: Marvin or Ruth Sackner.