This is a b&w photograph from Stonypath garden that depicts a carved stone inscribed "See Poussin Hear Lorrain." -- Source of annotation: Marvin or Ruth Sackner.

This card consisting of a b&w photograph depicts a carved stone submarine in Stonypath garden. -- Source of annotation: Marvin or Ruth Sackner.

In Phillips' book Works and Text (1992), he indicates that this print (page 134) was based upon two types of weathered matchbox trays from behind the Iron Curtain. This print constitutes one of six prints from walking 1/2 mile around Phillips' studio - it is based on the belief that there are no dull walks, only dull walkers. -- Source of annotation: Marvin or Ruth Sackner.

Apolloni's story of the golden egg is illustrated by Roberto Zito and is graphically designed by Pietro Cerami. -- Source of annotation: Marvin or Ruth Sackner.

This book includes the scripts of eight short plays. -- Source of annotation: Marvin or Ruth Sackner.

Sarah Schmerler writes about this exhibition, "Martin Wilner's series "Making History" (monthly calendar drawings started in 2002) combines disparate, often disturbing images lifted from current events - George Bush's distorted face, men in surgical masks - with snippets of ephemera like sheet music, making visual sense of a world gone chaotically awry...it's the raw and honest approach to drawing shared by Gabel and Wilner that mades the ferry trip worthwhile." The Sackner Archive holds three of the monthly calendar drawings. -- Source of annotation: Marvin or Ruth Sackner.

This booklet is cited in two places because the first author listed is Cutts but it is listed in the Finlay bibliography. Straiks" or "strakes" are stripes of different color from the rest of the surface of which they form a part (OED). The text plays upon variations: streams, streets, streaks, straiks. -- Source of annotation: Marvin or Ruth Sackner.

This booklet is cited in two places because the first author mentioned is Cutts but the booklet is listed in Finlay's bibliography. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition, which also travelled to the ICA at the University of Pennsylvania, consisted of early drawings by Smith in which she "struggles to transform the written language itself, creating unforeseen permutations -an alchemy of word and gesture." The second part of the catalogue contains drawings related to September 11, the Tower of Babel and the works of Rimbaud, William Blake and Antonin Artaud. There are several shaped, calligraphic poems in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Included in the exhibition and illustrated are ten works in the embroidered series "My mother claimed that..." The Sackner Archive holds two examples ot these works. -- Source of annotation: Marvin or Ruth Sackner.

Included in the exhibition and illustrated are ten works in the embroidered series "My mother claimed that..." The Sackner Archive holds two examples ot these works. -- Source of annotation: Marvin or Ruth Sackner.

The spelling in some of the poems is patterned after bill bissett. The visual art consists of reproductions of collages by Lachance. -- Source of annotation: Marvin or Ruth Sackner.

These images are similar to those in Murphy's book, "A Stab in the Dark." -- Source of annotation: Marvin or Ruth Sackner.

Edited by Irving Stettner. -- Source of annotation: Marvin or Ruth Sackner.

Bory wrote the introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

Sarenco wrote the introductory essay and a facsimile of his handwritten inscription is reproduced on the first page. -- Source of annotation: Marvin or Ruth Sackner.