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Visual art

 Subject
Subject Source: Sackner Database

Found in 5472 Collections and/or Records:

Scultura / Cucchi, Enzo., 1988

 Item
Identifier: CC-18900-19278
Scope and Contents

The critical text is written by Martin Schwander. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Sea Sea Sea, 1980

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-15850-16182

Sealevel: Isography. No.4/Mar / Joel Fisher., 2003

 Item
Identifier: CC-43278-45337
Scope and Contents

The pages depict black and white photographs of clumps of snow/ice on a slope of a hill. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Sealevel: Launch Day.... No.1/May / Tacita Dean ; Ian Hamilton Finlay ; Graham Rich ; Louise Short., 2001

 Item
Identifier: CC-43276-45335
Scope and Contents

This issue consists of colored images of art works. Ian Hamilton Finlay's contribution is a drawing of a blue colored Frigate captioned "Bluebill." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

Sealevel. No.4/Feb / Hans Waanders., 2002

 Item
Identifier: CC-43281-45340
Scope and Contents

The printed text is a commentary on the work of Waanders, the rubberstamped pages depict Kingfisher birds. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Sealevel: Through Prehistoric Eyes. No.3/Nov / Tim Robinson., 2002

 Item
Identifier: CC-43282-45341
Scope and Contents

The printed text is a commentary on landscapes that are illustrated with colored photographs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Sean Landers / Landers, Sean., 2004

 Item
Identifier: CC-43887-45989
Scope and Contents

Book Description (Amazon): Since the early 1990s, Sean Landers has made some of the most fascinating and repeatedly irritating art in circulation. The polar opposites of tormented self-doubt and endless self-aggrandizement run like threads through the artist's practice, as do several masks of failure that Landers uses as a strategy to preserve himself from impending loser-status. As the artist puts it, "My original idea was to make conceptual art entertaining, sloppy, emotional, human, and funny. Over the years I got so far out on this conceptual limb that I went around full circle until I was a traditional artist again. I tried to be ironic about it but eventually became sincere. Now I'm a happy victim of my own charade." This monograph presents an overview of Lander's oeuvre and includes works from 1992 to the present. Edited by Beatrix Ruf. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004

Searching for 66 / Teague, Tom., 1996

 Item
Identifier: CC-59473-10002548
Scope and Contents

This is the second edition of this book with the collaboration of Bob Waldmire and Lon Halderman. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

[Seated Nude Woman] / Furnival, John., 1955

 Item
Identifier: CC-13234-13535
Scope and Contents

Nude female figure is depicted seated on a wooden chair. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1955

[Seated Nude Woman] / Furnival, John., 1955

 Item
Identifier: CC-13235-13536
Scope and Contents

Nude female figure is depicted seated on a bed. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1955

Sechs Variationen Uber Ein Kreishema: Der Feuerfarbkreis / Bosshard, Hans Rudolph; Wuger, Hans J.., 1967

 Item
Identifier: CC-22346-22769
Scope and Contents

The same constructivist image is printed in as a suite of six individual two color combinations by Bosshard. A poem is printed that describes these combinations, e.g., red and orange, black and blue, etc. Both the prints and the poems deal with the variations on a theme concerning proportional relationships and the circle. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967