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Visual art

 Subject
Subject Source: Sackner Database

Found in 5487 Collections and/or Records:

Responsive Eye, The / William C. Seitz, curator ; Agam Y ; Berlewi H ; Gerstner K ; Greenham L ; Reinhardt A ; Vasarely V ; Riley B., 1965

 Item
Identifier: CC-28667-29967
Scope and Contents

Cover design is based upon a detail of Bridget Riley's optical painting entitled, Current 1964. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

Rest in Gutai (1928 - 2013) / Shimamoto, Shozo., 2013

 Item
Identifier: CC-56574-9999968
Scope and Contents

There are three rows of four stamps with silhouette heads. Each head contains a -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

Reteadriatica / Pannaggi, Ivo., 1971

 Item
Identifier: CC-44828-46999
Scope and Contents

This book consists of a reprint of a 1922 poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Retorica della Fotografia / Miccini, Eugenio ; Mucci E., 1984

 Item
Identifier: CC-44044-46158
Scope and Contents

This is also issue number 10 of Architettura e citta. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Retour D'Exil / Lebel, Jean-Jacques ; Nanni Balestrini, curator ; Hoffman A ; Cage J ; Manzoni P ; Ferlinghetti L ; Ono Y ; Chopin H ; Burroughs WS ; Ginsberg A ; Joans T ; Dufrene F ; Blaine J ; Corso G ; Heidsieck B ; Schneeman C., 1988

 Item
Identifier: CC-27370-28409
Scope and Contents

This catalogue edited by Nanni Balestrini provides illustrations of Lebel's drawings, paintings and collages along with documentation of his anti-process art and happenings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Retour Du Futur: L'Art a contre-courant, 2010

 Item
Identifier: CC-60203-10003216
Scope and Contents

In this dense, heavily annotated essay, Moineau explains that to resist globalization and commodification of art, other trends have appeared advocating all kinds of back: back to modernism, back to the author, return to morality, return to ethics, etc. But in vain he said, because these too reactive attempts end up caught by reification and absorbed by the global art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

Retrospective 1953 - 1973 / Gaul, Winfred., 1973

 Item
Identifier: CC-52737-73874
Scope and Contents

Page 81 depicts four images of visual poems similar to the piece held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Retrospective / Stubbing, N.H. (Tony) ; Klein Y ; Tapie M ; Arman ; Goeritz M ; Hobbs R., 2000

 Item
Identifier: CC-34984-36703
Scope and Contents

According to his widow, Stubbing composed concrete poems in the late forties and early fifties both in English and Spanish. However, he is best known for his palm print abstract paintings. He might have became influenced in concrete poetry by Mathias Goeritz with whom he knew in the School of Altamura, Spain in 1949-1950. However, Goeritz's concrete poetry was published over a decade later from the Spanish experience. An original concrete poetic collage and typing "Poema Vociferado" c.1949 is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Retrospectives / Hughes, Patrick., 1994

 Item
Identifier: CC-09731-9924
Scope and Contents

Includes surrealistic images of books and bookcases. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Review by Elaine Sexton / Phillips, Tom., 2011

 Item
Identifier: CC-52006-73108
Scope and Contents

The opening of this exhibition at Flowers Gallery in New York was attended by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011