Visual art
Found in 5487 Collections and/or Records:
Resemblances / Crane, Michael., 1976
Resolutions In Spring / Kohav, Alexander ; Stettner, Irving ; Gree Z ; Hirschman J., 1977
Responsive Eye, The / William C. Seitz, curator ; Agam Y ; Berlewi H ; Gerstner K ; Greenham L ; Reinhardt A ; Vasarely V ; Riley B., 1965
Cover design is based upon a detail of Bridget Riley's optical painting entitled, Current 1964. -- Source of annotation: Marvin or Ruth Sackner.
Rest in Gutai (1928 - 2013) / Shimamoto, Shozo., 2013
There are three rows of four stamps with silhouette heads. Each head contains a -- Source of annotation: Marvin or Ruth Sackner.
Restless Serpents / Burciaga, Jose-Antonio ; Zamora, Bernice., 1976
Restless / Tremlett, David., 1984
Reteadriatica / Pannaggi, Ivo., 1971
This book consists of a reprint of a 1922 poem. -- Source of annotation: Marvin or Ruth Sackner.
Retorica della Fotografia / Miccini, Eugenio ; Mucci E., 1984
This is also issue number 10 of Architettura e citta. -- Source of annotation: Marvin or Ruth Sackner.
Retour D'Exil / Lebel, Jean-Jacques ; Nanni Balestrini, curator ; Hoffman A ; Cage J ; Manzoni P ; Ferlinghetti L ; Ono Y ; Chopin H ; Burroughs WS ; Ginsberg A ; Joans T ; Dufrene F ; Blaine J ; Corso G ; Heidsieck B ; Schneeman C., 1988
This catalogue edited by Nanni Balestrini provides illustrations of Lebel's drawings, paintings and collages along with documentation of his anti-process art and happenings. -- Source of annotation: Marvin or Ruth Sackner.
Retour Du Futur: L'Art a contre-courant, 2010
In this dense, heavily annotated essay, Moineau explains that to resist globalization and commodification of art, other trends have appeared advocating all kinds of back: back to modernism, back to the author, return to morality, return to ethics, etc. But in vain he said, because these too reactive attempts end up caught by reification and absorbed by the global art. -- Source of annotation: Marvin or Ruth Sackner.
Retrospective, 1981
Retrospective 1953 - 1973 / Gaul, Winfred., 1973
Page 81 depicts four images of visual poems similar to the piece held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Retrospective 1961-1985 / de Charmoy, Cozette ; Grey R ; Chopin H., 1985
Retrospective: Political Document of a Decade / Coe, Sue., 1991
Retrospective / Stubbing, N.H. (Tony) ; Klein Y ; Tapie M ; Arman ; Goeritz M ; Hobbs R., 2000
According to his widow, Stubbing composed concrete poems in the late forties and early fifties both in English and Spanish. However, he is best known for his palm print abstract paintings. He might have became influenced in concrete poetry by Mathias Goeritz with whom he knew in the School of Altamura, Spain in 1949-1950. However, Goeritz's concrete poetry was published over a decade later from the Spanish experience. An original concrete poetic collage and typing "Poema Vociferado" c.1949 is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Retrospectives / Hughes, Patrick., 1994
Includes surrealistic images of books and bookcases. -- Source of annotation: Marvin or Ruth Sackner.
Retrospektive 1962-77 / Phillips, Tom., 1977
Revealing Conditions: A Dialogue of Three Generations / Chiarlone R ; Frederick H., 2001
Review by Elaine Sexton / Phillips, Tom., 2011
The opening of this exhibition at Flowers Gallery in New York was attended by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.