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Visual art

 Subject
Subject Source: Sackner Database

Found in 5469 Collections and/or Records:

Palmer Cowen Solicitors / Phillips, Tom., 2002

 Item
Identifier: CC-42769-44808
Scope and Contents

This book includes four color reproductions of Phillips' artworks. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Pandora's Box / Anita Leverence, editor; Audrey Niffenegger, editor; Shawn Sheehy, editor; Stacey Stern, editor; ; S Alatalo; D Carbone; B Coron; E Ellis; H Frederick; C Heft; D Ichiyama; P Kruty; K Kuehn; M Laird; S Miller; M O'Connell; R Price; M Sward; B Tetenbaum; C VanVleit; M Kaufman; M Weber; Mi Thompson; K Botnick; G Stein., 2003

 Item
Identifier: CC-40815-42792
Scope and Contents

This project is a tour de force of printing by invited printmakers and graduate students who employed varied techniques on specialty papers, handmade papers and papercards. One print even utilized a pull-up by thread that was used in the Victorian era as in The Sackner Archive's Anonymously made Victorian Scrapbook. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Pandora's Box / Anita Leverence, editor; Audrey Niffenegger, editor; Shawn Sheehy, editor; Stacey Stern, editor; ; S Alatalo; D Carbone; B Coron; E Ellis; H Frederick; C Heft; D Ichiyama; P Kruty; K Kuehn; M Laird; S Miller; M O'Connell; R Price; M Sward; B Tetenbaum; C VanVleit; M Kaufman; M Weber; Mi Thompson; K Botnick; G Stein., 2003

 Item
Identifier: CC-40815-42792
Scope and Contents

This project is a tour de force of printing by invited printmakers and graduate students who employed varied techniques on specialty papers, handmade papers and papercards. One print even utilized a pull-up by thread that was used in the Victorian era as in The Sackner Archive's Anonymously made Victorian Scrapbook. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Paollozzi At 80 / Paolozzi, Eduardo., 2004

 Item
Identifier: CC-60321-10003313
Scope and Contents

This booklet serves as an exhibiton guide. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004

Papa Hubaut / Hubaut, Joel., 1994

 Item
Identifier: CC-09744-9937
Scope and Contents

Photograph depicts Hubaut's father holding a rabbit. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Paper Work / Hammond, Jane., 2007

 Item
Identifier: CC-62710-49310
Scope and Contents

One of the works exhibited and depicted in this catalogue is the "Stamp Book," edition pf six, that is held by the Sackner Archive -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

Papier / Dumur, Marie Francoise., 1984

 Item
Identifier: CC-15919-16252
Scope and Contents

The artist probably used papers that previously were in contact with food, possibly chocolate or cookie dough, because a lucious, lingering odor matches the richness of the brown, translucent pages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Papiers Peints 2 / Dana, Llys., 1982

 Item
Identifier: CC-16351-16701
Scope and Contents

RA is another name that is used by Llys Dana. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Paracutes, 1966

 Item — Box 617: [Barcode: 31858072461027]
Identifier: CC-03495-3552
Scope and Contents

The cover drawing (gouache, watercolor) was made by maRa. The two issues have distinctly different images. Printed by d.a. levy who ran this press. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Parc de la Prehistoire / Blaine, Julien., 2008

 Item
Identifier: CC-47983-69006
Scope and Contents

This card accompanied an announcement of "Dream Time" in which Blaine was a participant. The exhibition and performance was held in a cave with prehistoric drawings on its walls. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

Paris out of hand {a wayward guide} / Gordon, Karen Elizabeth ; Hodgson B ; Bantock N., 1996

 Item
Identifier: CC-48551-69582
Scope and Contents Publisher's Weekly: "The conceit behind this playful, charming spoof of a book is as simple and bizarre as a Magritte painting: it is a guide to an imaginary Paris, complete with fake hotel listings, off-the-wall travel advice and restaurant recommendations that aim more at literary than culinary edification. In Gordon's Paris, tourists may stop at the Grand Hotel des Echecs, home to a clientele made up of chess lovers and losers ("echecs" means both "chess" and "failures" in French); dine at the Cafe Dada, where one inserts food into an Automat and is fed foreign coins in return; or take in a film at the Cinema l'Ange des Sables, which shows only movies shot in the desert. "Ici on parle angoisse" ("Anguish spoken here"), Gordon informs us of one hotel. Admirers of Gordon's previous work, which includes the popular grammar handbook The Transitive Vampire and the novel The Red Shoes and Other Tattered Tales, will not be surprised to find her drawing heavily on the work of such...
Dates: 1996