Visual art

Orientalia Rheno-Traiectina (140567) / Dom Sylvester Houedard., 1967

Item

Identifier: CC-56832-10000200

Scope and Contents

The white paste is streaked with red abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

Orientations: Space/Time/Image/Word / Cluver, Claus, editor ; Plesch, Veronique, editor ; Hoek, Leo, editor ; Boltanski C ; Kamensky V ; DeCampos A ; Pignatari D ; Xisto P ; deSouza EA., 2005

Item

Identifier: CC-59727-10002784

Scope and Contents

This book is number 5 in Word & Image Interactions. REgine Rapp contributes a chapter "Tango with Cows: Russian Futurist Book Art" in which she analyzes the book work of poet and artist Vasily Kamensky, a member of the group called Hylaea. Claus Cluver's essay "Mini-Icons: Letterforms, Logos , Logopoems" refers to the work of the Brazilian poets. Alan Prohm contributes an essay "Resources for a Poetics of Visual Poetry." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

[Original Postcard Work] , 1981

Item — Box 324: [Barcode: 31858072490901]

Identifier: CC-22023-22439

Dates: 1981

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

Ornamental Design, 1985

Item — Box Artist Boxed Materials/Oversized: Depew, Wally: [Barcode: 31858072491388]

Identifier: CC-55038-998891

Scope and Contents

The paper base for this drawing is a sketchbook page. The forms with their descriptive colors are reminiscent of American Indian designs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed)

Orte-Wege-Nomaden / Hainke, Wolfgang ; Monro, Niall ; Olbrich, Jurgen O. ; Ruch, Gunther ; Rungenhagen, Ulf ; Stake, Chuck ; Stirnemann, Manfred Vanci., 1986

Item

Identifier: CC-59939-52680

Dates: 1986

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Orworks. No.152 / Don Milliken., 1991

Item

Identifier: CC-05148-5248

Dates: 1991

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Ottava Ring / Helmes, Scott., 2009

Item

Identifier: CC-52336-73459

Dates: 2009

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Our Lady 1 / Houedard, Dom Sylvester., 1952

Item

Identifier: CC-55313-9999063

Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1952

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady 2] / Houedard, Dom Sylvester., 1952

Item

Identifier: CC-55319-9999068

Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1952

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 1] / Houedard, Dom Sylvester., 1953

Item

Identifier: CC-55326-9999075

Dates: 1953

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 2] / Houedard, Dom Sylvester., 1953

Item

Identifier: CC-55327-9999076

Dates: 1953

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 3] / Houedard, Dom Sylvester., 1953

Item

Identifier: CC-55328-9999077

Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 4] / Houedard, Dom Sylvester., 1953

Item

Identifier: CC-55334-9999081

Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 5] / Houedard, Dom Sylvester., 1953

Item

Identifier: CC-55340-9999087

Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 6] / Houedard, Dom Sylvester., 1953

Item

Identifier: CC-55362-555333

Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 7] / Houedard, Dom Sylvester., 1953

Item

Identifier: CC-55363-753226

Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)