Visual art
Found in 5463 Collections and/or Records:
Mirella Bentivoglio, 1982
[Mirror] / Phillips, Tom., 1983
Mirror Poem: Apollinaire / Edmonds, Tom., 1968
The original work constructed in glass, letraset steel and mirror, reflects Apollinaire's calligram "Dans ce miroir." -- Source of annotation: Marvin or Ruth Sackner.
Mise a l'echelle / Laurent Busine, curator ; Jerome Andre, curator ; Anull I ; Ben ; Bertrand JP ; Droste M ; Rombouts G ; Voss J ; Favre V ; Francois M ; LeGac J ; Ikemura L ; Pazos C ; Pepermans A ; VanDenPlas N ; Topor R ; Walde M ; Zush ; Corillon P ; Hirai Y ; Mulkers U ; Mesmaeker J ; Oosterlynck B ; Robin G ; Bismuth P ; Broodthaers M ; Buren D ; Charlier J ; Corillon P ; Downsborough P ; Fabro L ; Kawara O ; Merz M ; Mesmaeker J ; Boltanski C ; Kapoor A., 2009
Included in this three volume catalogue are the artists' books from Editions Camomille curated by Camille Von Scholz. The Sackner Archive holds the complete set of this publication. -- Source of annotation: Marvin or Ruth Sackner.
Miss Drawings Volume One / Evason, Greg., 1990
Miss Drawings Volume Two / Evason, Greg., 1990
Missing Text N1, 1998
Missing Text N2, 1998
Missing Text N3 , 1998
Missing Text N4, 1998
Missing Text N5, 1998
Missing Text N6, 1998
Mississippi Mud: Book of Days. No.28/Fall / Raphael D., 1983
Mitogramas (1968-1976), 1978
Mitogramas / Millan, Fernando., 1978
Mixage C.K.K. Epidemia, 1983
The drawing was done on the facing pages of the Table of Contents. The book consists of critical analysis of Hubaut's work by Restany, Lebel and Frank, reproductions of polaroid photographs featuring Hubaut performing in his white jacket painted with distinguishing signs, and comments by Hubaut on these photographs. Forty-eight reproductions of colored polaroid photographs constitute a section of this book. All have the identical format and are printed on a black background. The photographs are centered, one to a page. The caption "hobby or not hobby -- mon dada comme un violin" is printed at the top of each page in white. The caption "epidemie completement d'ingres" is printed in white at the bottom of the page. -- Source of annotation: Marvin or Ruth Sackner.
Mixage C.K.K. Epidemia / Hubaut, Joel ; Restany P ; Frank P., 1983
The book consists of critical analysis of Hubaut's work by Restany, Lebel and Frank, reproductions of polaroid photographs featuring Hubaut performing in his white jacket painted with distinguishing signs, and comments by Hubaut on these photographs. Forty-eight reproductions of colored polaroid photographs constitute a section of this book. All have the identical format and are printed on a black background. The photographs are centered, one to a page. The caption "hobby or not hobby -- mon dada comme un violin" is printed at the top of each page in white. The caption "epidemie completement d'ingres" is printed in white at the bottom of the page. -- Source of annotation: Marvin or Ruth Sackner.
Mixed Media Nr. O / Kriwet, Ferdinand., 1969
[Mixed Media/Fiberworks] / Furnival, John ; Furnival, Astrid., 1984
Includes photograph of a detail of Furnival's standing screen, Fifty-One Towers of Babel (1984) in progress. This work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Mizrach / Moss, David., 2011
David Moss writes, "The ideas and intention and direction are fundamental Jewish notions. As direction is essential in reaching a physical destination, intention is needed to reach practical and spiritual goals. The Hebrew word kavanah brings together the ideas of direction, intention and concentration. Through kavanah we manage to stay directed and reach our desstiny in spite of life's many twists and turns. Aphysical expression of this idea is the traditional Jewish plaque known as the "Mizrach." Mizrach means 'East', and is derived from the root of 'shining', as in the shining forth of the rising, morning sun.The origin of this folk art piece was the custom of praying towards Jerusalem, which in most of the Jewish world meant facing east. Upon entering a room in which a Mizrach was hung, one would be immediately oriented for the direction of prayer." -- Source of annotation: Marvin or Ruth Sackner.