Typography
Found in 936 Collections and/or Records:
Typography / Weingart, Wolfgang., 2000
This autobiography deals with the personal philosophy, work ethic, and influences that affected Weingart's development as a typographic designer, photographer, and graphic artist beginning with his student years. -- Source of annotation: Marvin or Ruth Sackner.
Typographycs / Keller, Ronald., 1994
Consists of handset, metal type, alphabetical texts with ornaments printed on different composition papers utilizing such typefaces as Helvetica, Bembo, Caslon, Centaur, Garamond, Bernhard Gothic Light, Modern Roman, News Gothic, Plantin, Chandelier, Cheltenham, Traftin, Packard, and Puritan. -- Source of annotation: Marvin or Ruth Sackner.
Typoundso / Lutz, Hans-Rudolf ; Bosshard H ; Ruder E ; Buchler R ; Busch M ; Hubschmid A ; Zapf H., 1996
This profusely illustrated book focuses for the most part on works of contemporary Swiss typographers and graphic designers along with material produced by Swiss and German graphic design students. It serves as a good reference for cutting edge typography and graphic design done in Switzerland since WWII. -- Source of annotation: Marvin or Ruth Sackner.
Uberschriften / Nasshan, Reinhold, editor ; Herbst Wo ; Hafner J ; Bernhard O ; Zitzmann P ; Zapf H., 2001
This book depicts examples of the work of five Nurnberg letterpress publishing houses based upon the typoraphy of Hermann Zapf. -- Source of annotation: Marvin or Ruth Sackner.
UK Artists Books 1992 / Sczcelkun, Stefan., 1992
U&lc. No.1/Feb., 1988
This issue includes an illustrated article on the genesis of the letter 'A.' -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.1/Mar / Burgert HJ ; Muller Ma ; Myers L ; Dante ; Grundy P., 1980
Marion Muller contributes an extensively illustrated essay on the calligraphic and graphic design works by Hans-Joachim Burgert. Marion Muller writes about "A Dictionary" by Peter Grundy. In it, Grundy provides concrete poems utilizing compositions with the letter(s) 'x' that describe a word beginning with 'ex.' For example, xaggerate, xtract, xact, xcrete, etc. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.1/May / Healey A ; Heller S ; Dwiggens WA., 1983
Steven Heller contributed an essay on the cartoon pieces by Robert Grossman. Alan Haley submitted an essay on the typographer William Addison Dwiggins. Marion Muller wrote about "Fingernail Embossing." -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.1/May / Heller S., 1985
U&lc. No.1/Spr / Banks C., 1991
This issue contains an illustrated article on the genesis of the letter 'N.' -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.1/Sum / Clifford G., 1994
This issue includes an article about Graham Clifford depicted his "dirty type" for use in an advertisement dealing with pain, sweat, dirt, and blisters. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.1/Sum / Heller S., 1999
Steven Heller contributed an essay titled "Advertising Arts: America Becomes Modern(istic)." He traces the history of the advertising magazine first published in 1930. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.1/Win / Haley A ; Baker J ; Muller Ma., 1990
This issue includes an illustrated article on the genesis of the letter 'I' by Allan Haley. Marion Muller describes the work of Jan Baker in a illustrated essay "A Woman of Letters." The Sackner Archive has extensive holdings of this artist. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.2/Aug / Heller S., 1985
U&lc. No.2/Aug / Muller Ma., 1987
Marion Muller writes a brief essay on Deltiology, i.e, the collecting of postcards. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.2/Fall., 1998
This issue includes the annual catalogue of International Typeface Corporation. It includes an article on the Grey Spider Press. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.2/Jul / Snyder G ; Erte., 1976
U&lc. No.2/Jun., 1982
This issue included an article dealing with the life and work of Mozart. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.2/Jun / McLuhan M., 1980
This issue deals largely with the "new" digital typography and communications revolution. -- Source of annotation: Marvin or Ruth Sackner.