Phil Baines selected the texts and printed the pages in monotype Baskerville at Central St. Martin's College of Art & Design. -- Source of annotation: Marvin or Ruth Sackner.

This book was printed by Dieter Sdun. -- Source of annotation: Marvin or Ruth Sackner.

This book was printed by Dieter Sdun. -- Source of annotation: Marvin or Ruth Sackner.

This 2nd edition consists of digitally rendered colored pages rather than photocopied colored in the 1st edition. -- Source of annotation: Marvin or Ruth Sackner.

The cover is an Iran Issa-Kahn photo-portrait of Micky done in the style of Barbara Kruger. The inside illustration is based on a collage by Gary Stewart and uses the Futurist Mussolini head on Micky's body. -- Source of annotation: Marvin or Ruth Sackner.

In a portion of this book, Junges created homoerotic poems ware from black, lower case typefaces often cut or arranged in mirror images. -- Source of annotation: Marvin or Ruth Sackner.

This book is the 1st printing of the first edition. -- Source of annotation: Marvin or Ruth Sackner.

The editors write that this publication studies the symbols of the contemporary visual landscape and illustrates the meaning of visual literacy and communication in the current generation and how attitudes, ideas and aspirations are conveyed. The books are titled The Mix, Retro, You, Spirituality, Look, Body, Digital Characters, Random Access and Aliens. The book, You, with its quirky layout can be considered an artist book. -- Source of annotation: Marvin or Ruth Sackner.

Several poems displayed in this exhibition were taken from limited edition portfolios of concrete poetry published by Hansjorg Mayer; all of these portfolios are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Presented to the Sackners after Alonso toured the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a note of thanks for a brunch and tour of the Sackner Archive. Joanne Goldfarb accentuated the letter V in her note. -- Source of annotation: Marvin or Ruth Sackner.

According to Amazon Books review, "Milton Glaser, the founder of New York magazine, and the creator of the globally recognized NY logo, is beloved by art aficionados and design enthusiasts the world over. In this beautifully designed, enchanting book for children of all ages, Milton and Shirley Glaser team up to reintroduce readers to the alphabet. The Alphazeds begins with an empty room, which begins filling up with some extraordinary-looking letters. As each letter appears on the scene, it boldly announces its personality: A is angry all the time; B couldn't be more bashful; and K comes in kicking everyone else out of the way. Will the rambunctious letters ever be able to coexist long enough to work together? Charming and utterly original, The Alphazeds cleverly teaches the alphabet and new words to children, while also introducing them to the art of typography in a fresh and enjoyable way." -- Source of annotation: Marvin or Ruth Sackner.

Heller includes the book "Art and Text" in his review article. In this book, Tom Phillips is described as"a pioneer of text art." His painting Here We Exemplify, held by the Sackner Archive, is depicted in this book as are pages from "A Humument." -- Source of annotation: Marvin or Ruth Sackner.

The poster depicts fragmented, overlapping, vividly colored, distorted letterforms. -- Source of annotation: Marvin or Ruth Sackner.

This volume presents a ten year retrospective of Emigre Magazine and includes every cover issued, a catalogue of over 80 Emigre typefaces, the magazines most striking editorial layouts, and commentary from Vanderbilt and Licks. Emigre has consistently broken the rules of graphic design and publishing and has proven to be both controversial and influential in the field.Since there was no budget to produce Emigre and the Macintosh computer had not yet been invented, the first issues were created with typings and photocopied paste-ups.Emigre 21 was produced almost entirely by undergraduate and graduate students at California Institute for the Arts at Valencia. The issue consisted of actual school assignments. -- Source of annotation: Marvin or Ruth Sackner.