Typewriter poetry
Found in 1791 Collections and/or Records:
Visual Voices; Black Magic Poem; pages 66-67 / Weiss, Irving., 1994
This poem is based upon Ben Jonson, from "The Sad Shepard" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Clock-Title Poem; pages 78-79 / Weiss, Irving., 1994
This poem is based upon Coleridge, "Phantom" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Couplets Snapping By in the Poetic Welkin pages 28-29 / Weiss, Irving., 1994
This poem is based upon Dryden (1631-1700) -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Elizabeth Barrett Browning Corpus Stylistic Analysis Program Reinventing "How Do I Love Thee"; pages 50-51 / Weiss, Irving., 1994
This poem is based uponElizabeth Barrett Browning (1806-1861), Sonnets From the Portuguese, 43. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Fifteenth-Century Poem Stands Boldly out against the Dimness of Its Long Neglect; pages 40-41 / Weiss, Irving., 1994
.This poem is based upon John Skelton (1406?-1529), "Prayer to the Father of Heaven." The poem consists of normal typed letters and just above it a retyping with faint letters, presumably from a deliberate use of a faded typewriter ribbon. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Foundering poem: Of the Going Down into Davy Jones Locker Were Already Lies... pages 92--93 / Weiss, Irving., 1994
This poem is based upon John Bunyan, "Of the Going Down of the Sun" Shakespeare, "Full Fantom Five" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Fourth Wall Poem; pages 70-71 / Weiss, Irving., 1994
This poem is based upon"For the nightmare." 2093 Bodleian 15353 Early 15th Century. Reprinted in Luria and Hoffman, Middle English Lyrics, as No.116, with glossary. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Horror Poem; pages 52-53 / Weiss, Irving., 1994
This poem is based upon Robert Browning (1812-1889), "Pippas's Song." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Leaf-Overleaf Poem: Having Floated Loose From Its Moorings Down to Side Margin and Turned Edge; pages 72-73 / Weiss, Irving., 1994
This poem is based upon Marvell "An Epitaph Upon" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Major Poem with Minor Poem Huddling to Heel; pages 38-39 / Weiss, Irving., 1994
This poem is based upon William Wordsworth (1770-1850), "Mutability." William Strode (1602-1645), "On Chloris Walking in the Snow." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Megaphone Index Poem pages 30-31 / Weiss, Irving., 1994
This poem is based upon Poetry anthology index excerpts "announcing" their id entification of the book's contents. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Murmurs in the Great Poetic Welkin Tracking a Poem; pages 140-141 / Weiss, Irving., 1994
This poem is based upon Keats, Sonnet: "How many bards gild the lapses of time" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Original Coursing through Translation: Aerial View; pages 88--89 / Weiss, Irving., 1994
This poem is based upon Byron, translation of Dante, Inferno V, 11. 93-142. Published in Atticus Review 4, Winter 1983. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Page Poem; pages 116--117 / Weiss, Irving., 1994
This poem is based upon Anonymous both, that part of " Now sprinkles the spray," followed by that part of " Spring Song" that appear on one anthology page together. A Page Poem is whatever verses appear on a single page even if they belong to more than one poem. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices: Poem As Mental Convergence toward Its Two Finest Lines; pages 62-63 / Weiss, Irving., 1994
This poem is based upon William Alabaster (1567-1640), "Upon the Crucifix." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem in Extremis: Trying to Escape Itself; pages 42-43 / Weiss, Irving., 1994
This poem is based upon Abraham Cowley (1618-1667), "Sport." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem in the Making and Unmaking pages 6-7 / Weiss, Irving., 1994
This poem is based upon Geirge Herbert's (1593-1633) poem, "The Quiddity." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem of the Reader's Laser-Beam Mind Fusing an Epic into Its Initial and Concluding Lines; pages 86--87 / Weiss, Irving., 1994
This poem is based upon Michael Drayton (1563-1631). The first two and the last two lines of Poly-Olbion, Or a Chorographical Description of Tracts, Rivers, Mountains, Forest and other Parts of this Renowned Isle of Great Britain, with Intermixtureof the Most Remarkable Stories, Antiquities, Wonders, Rarities, Pleasures, and Commodities of the Same. " -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Refusing To Be Paged; pages 46-47 / Weiss, Irving., 1994
This poem is based upon the First Set of Madrigals of Orlando Gibbons (1583-1625). -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Reorganized According to a Subliminal Principle of Cohesion; pages 82-83 / Weiss, Irving., 1994
This poem is based upon Sir Walter Scott (1771-1832), from The Lay of the Last Minstrel. -- Source of annotation: Marvin or Ruth Sackner.