Typewriter poetry
Found in 1791 Collections and/or Records:
Ikon. No.3 / Doug Sandle, editor ; Houedard DS ; McCarthy C ; Gomringer E., 1966
In this issue, Cavan McCarthy essay, "trad/kin kon: The poetry magazine scene" surveys small mags world wide publishing concrete poetry. Houedard designed the cover and also signed this issue. -- Source of annotation: Marvin or Ruth Sackner.
Ikon. No.3 / Doug Sandle, editor ; Houedard DS ; McCarthy C ; Gomringer E., 1966
In this issue, Cavan McCarthy essay, "trad/kin kon: The poetry magazine scene" surveys small mags world wide publishing concrete poetry. Houedard designed the cover and also signed this issue. -- Source of annotation: Marvin or Ruth Sackner.
Il Pino di Napoli , 1989
Il Senso della Scrittura / Accame, Vincenzo ; Sanesi R., 1990
Edited by Roberto Sanesi. This book contains reproductions of six of the 15 drawings by Accame, "Visioni del Particolare," a work held by the Sackner Archive (cited in this book as well). . -- Source of annotation: Marvin or Ruth Sackner.
Illimite / Burgaud, Christian., 1982
I'm Sad Today Hi! / Chopin, Henri., 1972
This is an original of a typing which appears as page 11 of Chopin's book, "Le Repas." -- Source of annotation: Marvin or Ruth Sackner.
Imago 65 / Burda, Vladimir., 1965
In Dovina Cos 'E / Binga, Tomaso., 1987
The preface was written by Cesare Milanese. -- Source of annotation: Marvin or Ruth Sackner.
In Isolation / Ovcacek, Eduard., 1964 - 1966
in memoriam ALDOUS huxley (031263) / Houedard, Dom Sylvester., 1963
Wikipedia: Aldous Leonard Huxley (26 July 1894 "“ 22 November 1963) was an English writer and one of the most prominent members of the famous Huxley family. Best known for his novels including Brave New World and a wide-ranging output of essays, Huxley also edited the magazine Oxford Poetry, and published short stories, poetry, travel writing, film stories and scripts. Huxley spent the later part of his life in the United States, living in Los Angeles from 1937 until his death. Aldous Huxley was a humanist, pacifist, and satirist, and he was latterly interested in spiritual subjects such as parapsychology and philosophical mysticism. He is also well known for advocating and taking psychedelics. By the end of his life Huxley was widely acknowledged as one of the pre-eminent intellectuals of his time. -- Source of annotation: Marvin or Ruth Sackner.
in memoriam dsh / Houedard, Dom Sylvester ; Cobbing, Bob ; Clark TA ; Cobbing B ; Sackner RK ; Sackner MA ; Weaver M., 1995
In Octavo: Mil 1000 Mille Dates. No.3 / Henri Chopin., 1994
Indicatif II / Furnival, John; Chopin, Henri., 1966
This differs from the varient copy which has pages from Dorothy and R.E.M. that was made in 1970 and includes the matted prints of Furnival. -- Source of annotation: Marvin or Ruth Sackner.
Indicatif II [Varient Copy] / Furnival, John; Chopin, Henri; Furnival, Astrid., 1970
This unique varient copy has the same typewriter poem prints and reel to reel tape by Chopin as the original edition, but the Furnival prints differ and this copy has an embroidered flag by Astrid Furnival that was shown in the "Dorothy" exhibition at Bear Lane Gallery in 1966. Finally, although the boxes are the same, the covers have different collaged elements. -- Source of annotation: Marvin or Ruth Sackner.
Individualista [80] / Dialog Optimisty S Pesimistou [48] / Ovcacek, Eduard., 1963
Inferno E Paradiso / Hirsal, Josef; Grogerova, Bohumila., 1961
This poem is based upon Dante's Divine Comedy. The Sackner Archive also holds the second version typed in English (1992) -- Source of annotation: Marvin or Ruth Sackner.
Inkling's: Poems 1971-74 / Gathercole, Rod ; Hewett R., 1975
The fold-out page has eight panels, each containing a typewriter poem. The poems are composed of parentheses and punctuation marks and given titles, often using the parentheses as a metaphor for mussels. -- Source of annotation: Marvin or Ruth Sackner.
Interrogation [65] / Ovcacek, Eduard., 1964
i/o - figuration / Mon, Franz., 1966
ION / Mott, Michael., 1971
The artist composed the work on an Olympia Splendid 99. In a personal communication to Marvin Sackner in 2013, Mott stated that his typewritings were influenced by Margaret, his first wife's (died in 1990) weavings plus reading on knots, quipu, etc and not by the reading of Monk's Pond that he was unaware of until the 1980s. He further mentioned that he employed "various degrees of pressure to give variations and life to the work." -- Source of annotation: Marvin or Ruth Sackner.