Edited by Carla Bertola. -- Source of annotation: Marvin or Ruth Sackner.

This book is listed as Collection Fuenda Todos No. 10. -- Source of annotation: Marvin or Ruth Sackner.

The following is abstracted from an afterword written by Marvin Sackner: I was initially uncertain whether the book was an assembling edited by curry or whether the 49 poems, one on each page and on the covers, in widely diverse styles, were produced by curry alone. Looking more closely, I recognized several poems by curry which had appeared in previous publications. curry had produced a compendium of sometimes playful, othertimes profound, visual/verbal imagery. -- Source of annotation: Marvin or Ruth Sackner.

The following is abstracted from an afterword written by Marvin Sackner: I was initially uncertain whether the book was an assembling edited by Curry or whether the 49 poems, one on each page and on the covers, in widely diverse styles, were produced by Curry alone. Looking more closely, I recognized several poems by Curry which had appeared in previous publications. Curry had produced a compendium of sometimes playful, othertimes profound, visual/verbal imagery. -- Source of annotation: Marvin or Ruth Sackner.

Includes group photograph of artists assembled for the 11th International Festival of Sound Poetry in Toronto, 1978. The record is selections of Canadian sound poetry. -- Source of annotation: Marvin or Ruth Sackner.

The typewriter poems in this book are printed on blue colored stock. -- Source of annotation: Marvin or Ruth Sackner.

The typewriter poems in this book are printed on blue colored stock. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.26. The overlays of the transparent, printed, plastic pages on the opaque, printed, paper pages produces Moire patterns. -- Source of annotation: Marvin or Ruth Sackner.

The work CENSORED is repeated five times framed by a typed piece from Fank Harris' erotoc novel, MY LIFE AND LOVES. -- Source of annotation: Marvin or Ruth Sackner.

Each page contains a portrait composed of typed letters and words with crayoned enhancements. -- Source of annotation: Marvin or Ruth Sackner.

This is the original of the typing which appears in Chopin's book of unnumbered pages, "Le Dernier Roman du Monde" in b&w. -- Source of annotation: Marvin or Ruth Sackner.

Designated Studies in Concrete Poetry No.4 and is a reprinting of the lecture delivered by Cobbing at the Text as Figure exhibition in Wolfenbuttel 1987 with the following topics: 1) typewriter dirty clean, 2) typewriter, 3) calligraphy hand writing drawn letters, 4) press-on lettering, 5) press-on letters & other means, 6) mimeo misuse, 7) found materials, 8) more found materials, 9) photo-copying, 10) photo-copier, 11) computer, and 12) back to the beginning. The 69 examples in this book include mostly Cobbing's poems but a few examples of other poets as well. -- Source of annotation: Marvin or Ruth Sackner.

Designated Studies in Concrete Poetry No.4 and is a reprinting of the lecture delivered by Cobbing at the Text als Figur exhibition in Wolfenbuttel 1987 with the following topics: 1) typewriter dirty clean, 2) typewriter, 3) calligraphy hand writing drawn letters, 4) press-on lettering, 5) press-on letters & other means, 6) mimeo misuse, 7) found materials, 8) more found materials, 9) photo-copying, 10) photo-copier, 11) computer, and 12) back to the beginning. The 69 examples in this book include mostly Cobbing's poems but a few examples of other poets as well. -- Source of annotation: Marvin or Ruth Sackner.

The interlocking of two names, Charles [Cameron] and his love, Eve [?] are repetively presented. -- Source of annotation: Marvin or Ruth Sackner.