Sound poetry
Found in 1293 Collections and/or Records:
[Computer Score] / Cobbing, Bob., 1989
Concrete and Sound Poems / Cobbing, Bob., 1992
Reprinting of favorite poems. -- Source of annotation: Marvin or Ruth Sackner.
[Concrete and Sound Poems] / Finlay, Ian Hamilton, editor; Cobbing B; Sharkey JJ; Jandl E; Gysin B; Schwitters K; Garnier P; Carroll L., 1967
Concrete and Sound Poetry 1950-1970 / Cobbing, Bob; Fahlstrom O; Gomringer E; Nichol bp; Hanson S; Dufrene F; Wolman G; Brau JL; Chopin H; Gysin B; DeVree P; Heidsieck B; Johnson BE., 1970
Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember. This is Cobbing's essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.
Concrete Sound Poetry: Record Notes / Cobbing, Bob; Chopin H; Dufrene F; Heidsieck B; Johnson BE; Hanson S; Cobbing B; Novak L; Jandl E., 1970
The text consists of notes for the record of the same title; the record is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Concrete/Sound Poetry Reading , 1982
Confound the Wise / Upton, Lawrence ; Cobbing, Bob., 1996
Continuum / Cobbing, Bob., 1982
Conversations & Construction, 1978
[cosmic typewriter]: from texts for the somantric diversion / Houedard, Dom Sylvester., 1963
Court Circuit / Llys Dana; Jack Marlow., 2007
Court Circuit / Llys Dana; Jack Marlow., 2007
Cover Design for Figs No.9, 1983
[Cover Design & Notes for Collected Poems Volume Eight: Astound & Risible], 1987
According to Theo Green of Inkblot, less than 30 copies of Collected Poems Volume Eight were assembled and he is only aware of five copies, all in private hends. -- Source of annotation: Marvin or Ruth Sackner.
Cover Design Poetry Review, 1975
Crela Ne Bleu Pletre Blong / Satie, Alain., 1982
Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Crow & Cough! / Glass, Jesse Jr.., 2001
Cuba / Cobbing, Bob., 1977
Designated Card Series No.27. -- Source of annotation: Marvin or Ruth Sackner.
Curtal Sails / Cheek, Cris, editor ; O'Huigin S ; Griffiths B ; Upton L ; Cobbing B ; Adler J ; Mayer P ; Fencott PC ; Pike J ; Burke H ; Cheek C ; Clews S., 1976
Includes a long poem dealing with the assassination of Salvatore Allende, leftist leaning leader of Chile. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Industrial Sabotage #63: Messagio Amor Some More. No.470/Apr / jw curry, editor ; curry jw ; Ball H ; Depero F ; Gallini L ; Gauvreau C ; Hood W ; Jandl E ; Mon F ; Nichol bp ; Patten M ; Shikatani G ; Zappa F ; Erskine M ; Power N ; Read R., 2008
According to a letter from curry to the Sackners, the sound poems printed in this issue were performed over a period of 2 1/2 hours by Alexander's Dark Band. This group consisted of jw curry, Marie Erskine, Nicholas Power, and Rob Read. -- Source of annotation: Marvin or Ruth Sackner.