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Shaped poetry

 Subject
Subject Source: Sackner Database

Found in 780 Collections and/or Records:

The Royal Wedding / Warschauer, Harry., 1987

 Item
Identifier: CC-37515-39369
Scope and Contents

The card depicts portaits of Princess Diana and Prince Charles of England as line drawings formed with text describing their lineage on the wedding day. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

[the ruffian said] / Verey, Charles., 1970

 Item
Identifier: CC-57083-10000440
Scope and Contents

This drawing has a hand-numbered 4 in the l.r. corner. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

[the ruffian said] / Verey, Charles., 1970

 Item
Identifier: CC-57090-10000441
Scope and Contents

This drawing has a hand-numbered 4 in the l.r. corner. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

The Self-Portrait Gate, 2001

 Item — Folder 79: [Barcode: 31858072538386]
Identifier: CC-37362-39215
Scope and Contents

In Daniels' book, "The Gates of Paradise," this poem is printed on facing pages 40-41. The shape of the poem is a caricatured face in profile on the left page with a cartoon bubble idea on the right page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

The Six-Cornered Snowflake / Nims, John Frederick., 1991

 Item
Identifier: CC-05566-5673
Scope and Contents

This poem in shapes of a six-cornered snowflakes recalls the experience of seeing snow fall over the city of Prague. The closing line is an ode to the beauty of snow, "Over Prague of the hundred towers, jumbled roofs, the winter river, the recounciling bridge, down our endangered air, forgiving snow cajoles the earth in musical notes yet." Illustrations as wood engravings of Prague buildings in the shape of snowflakes to accompany the poem were done by Dean Bornstein. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

The Six-Cornered Snowflake / Nims, John Frederick., 1991

 Item
Identifier: CC-05567-5674
Scope and Contents

This poem in shapes of a six-cornered snowflakes recalls the experience of seeing snow fall over the city of Prague. The closing line is an ode to the beauty of snow, "Over Prague of the hundred towers, jumbled roofs, the winter river, the recounciling bridge, down our endangered air, forgiving snow cajoles the earth in musical notes yet." Illustrations as wood engravings of Prague buildings in the shape of snowflakes to accompany the poem were done by Dean Bornstein. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

The Turn Your Self Inside Out if You Want to See an Alien Gate, 2001

 Item — Folder 79: [Barcode: 31858072538386]
Identifier: CC-37356-39209
Scope and Contents

In Daniels' book, "The Gates of Paradise," this poem is printed on page 63. The shape of the poem appears to be the face of a cartoon character or hobglobin with many eyes. The poem is about "fear." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

The Watts Tower Poems, 1972

 Item — Box 609: [Barcode: 31858073143566]
Identifier: CC-02524-2566
Scope and Contents

This poem commemorating Simon Rodia's architectural Watts Towers in Los Angeles was reproduced from Creative Word 1 in the Random House English Series, an educational tool for the schools. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

The world's a trough and everyman a pig / Sharkey, John J.., 1968

 Item
Identifier: CC-56708-10000094
Scope and Contents

This is a poem in the shape of a pig typed with capital letters and each body part is the typed name of that part. The complete quote at the botton of the page "The world's a trough and everyman a pig " is attributed to Swillshere. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

This is Visual Poetry. No.52/Jul / David A. Colon., 2010

 Item
Identifier: CC-52044-73146
Scope and Contents On the back cover and internet, it is stated that David A. Colon teaches literature at Texas Christian University. He received his Ph.D. in English from Stanford University, where he wrote a dissertation on the transformation of the trope of the Chinese written character as a medium for poetry from Imagism to Concretism. His poems have appeared in DIAGRAM, Score, Latino Stuff Review, The Stanford Black Arts Quarterly, and elsewhere. His work in poetics and poetry criticism has appeared or is forthcoming in Cultural Critique, The Journal of Latino/Latin American Studies, How2, Hispanet Journal, MELUS, Studies in American Culture, and The Princeton Encyclopedia of Poetry & Poetics. He was born and raised in Brooklyn and now lives in Fort Worth. David says: "These visual poems treat letters and words as a palette from which familiar (and defamiliarized) images are conjured. Negative space is a counterpoint to the designs, suggesting a visual representation of silence: the same...
Dates: 2010