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Shaped poetry

 Subject
Subject Source: Sackner Database

Found in 780 Collections and/or Records:

Pieces of Poetry / Nuttall, Jeff., 1965

 Item
Identifier: CC-05560-5667
Scope and Contents

Designated Writers Forum Poets No.17. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

Pisa 1965: The 1st Leaning Manifest / Furnival, John; Mayer HJ., 1973

 Item
Identifier: CC-13166-13467
Scope and Contents

The image depicts the shape of the Leaning Tower of Pisa created totally of text. The verso indicates that the original is in the collection of Hansjorg Mayer. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Plakat: Loakrime. No.9 / Philip Ward., 1967

 Item
Identifier: CC-57147-51975
Scope and Contents

The Sackner Archive also holds the original typed manuscript for this poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Poem d'amour et de revolution, 1998

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-41152-43134
Scope and Contents

One thousand copies were created for Plage magazine, Paris, France. Diotallevi writes that "this is a unique example with hand intervention." The piece is shaped like a heart. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Poems 1970-1971 / Cox, Morris., 1972

 Item
Identifier: CC-19638-20024
Scope and Contents

The text was printed on Japanese kozu-shi paper by Morris Cox. Some of these highly idiosyncratic poems have content which is a cross between constellations and language poetry. Cox arranges some of his minimalist poems in the style of Robert Lax. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

Poems For Painters / Williams, Guy ; Albers J ; Hofman H ; Rothko M ; Davis S ; Klee P ; Duchamp M ; Newman B ; Johns J ; Woelffer F ; Lichtenstein R ; Keane M., 1963

 Item
Identifier: CC-50939-72017
Scope and Contents

Williams types a grid of $ signs to represent the work of Margaret Keane as a political swipe at her work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

[Poems] / Trubaj, Vasyl., 2003

 Item
Identifier: CC-48573-69604
Scope and Contents

Although these pieces are probably photocopied, they might be typed carbon copies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Poetes Baroques Allemands / Petit, Marc., 1977

 Item
Identifier: CC-04722-4811
Scope and Contents

Includes several examples of Baroque German shaped poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

[Pornographic Heart] / Davenport, Philip., 2002

 Item
Identifier: CC-51296-72385
Scope and Contents

This piece cut from a pornographic magazine is stored with Davenport's Vogue Divine. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Portrait de Michel Tapie, Amateur d'Art / Lemaitre, Maurice., 1993

 Item
Identifier: CC-07475-7619
Scope and Contents

Reproduction of painting done in 1964. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Portrait of My Mother, 1977

 Item — Folder 56: [Barcode: 31858072537909]
Identifier: CC-21851-22262
Scope and Contents

Portrait taken from an old photograph and found personal records. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Portraits From Memory, 1975

 Item
Identifier: CC-39125-41067
Scope and Contents

Van der Donk comments: "First edition of this fictional series of "portraits from memory" of female sexual conquests, the descriptive words forming visual poems in the author's hand, lithographically reproduced here. The memories of the encounters (which again are fictional - fact which is emphasied by dates which certainly precede the dawn of the author's sexual activity) are fundamentally a series of quick judgements, mean-spirited physical descriptions and occasionally, fond remembrances. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Portraits From Memory / Kostelanetz, Richard., 1975

 Item
Identifier: CC-39126-41068
Scope and Contents

Van der Donk comments: "First edition of this fictional series of "portraits from memory" of female sexual conquests, the descriptive words forming visual poems in the author's hand, lithographically reproduced here. The memories of the encounters (which again are fictional - fact which is emphasied by dates which certainly precede the dawn of the author's sexual activity) are fundamentally a series of quick judgements, mean-spirited physical descriptions and occasionally, fond remembrances. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975