Repetitious text
Found in 670 Collections and/or Records:
Texturen (T x 4) / Deisler, Guillermo., 1994
Joseph Huber is the owner of Edition Karte. The card is a progession in font size of the word "sehen" (see) until the poem reaches the middle where it becomes "lesen" (read) and then progressivley diminishes to smaller font size for "sehen." -- Source of annotation: Marvin or Ruth Sackner.
Thalamus and Sol (proof copy) / Houedard, Dom Sylvester., 1964
A version of this concrete poem is printed as a card inThe Aylesford Review Vol.6 No.4, 1964-1965 and is also held as a separate entry as titled 'xmas poem 1964.' -- Source of annotation: Marvin or Ruth Sackner.
Thank You Thank You / Raphaely, Dorothy., 2002
The text is handwritten "thank you" for a tour of the Sackner Archive. The sheet is folded in oragami style. -- Source of annotation: Marvin or Ruth Sackner.
Thank You Thank You Thank You / Kight, Leila., 1997
An inspired thank-you note from Leila Kight to the Sackners after her tour of the Archive. -- Source of annotation: Marvin or Ruth Sackner.
Thank your for a lovely evening / Lipsky, Jacqueline R.; Schmitt, Tom., 2000
The Beauty in Breathing / Edelstein, Andrea; Edelstein, Karen; Lemaitre M., 2002
In honor of Marvin's 70th birthday, the Edelsteins made a collage using "The Beauty in Breathing" badge with an image by Maurice Lemaitre. The badge is surrounded by the handwritten text of the title. -- Source of annotation: Marvin or Ruth Sackner.
The Brain Factory: An International Collection of Cut-Ups & Cerebro-Spinal Fluids 231086 / Baroni, Vittore, editor ; Olbrich JO ; Bennett JM ; Hagglund SG ; Nations O ; Crozier R ; Hill C ; Cohen R ; Smith J ; Bleus G ; Bille P ; Burroughs WS ; Gysin B., 1986
The Concrete Night / Ferlinghetti, Lawrence., 1991
Text reads DEATH surrounded by night, light, delight. -- Source of annotation: Marvin or Ruth Sackner.
The Contemporary Canadian Poem Anthology Vol. 1, 1983
Introduction by G. Bowering notes that the four volumes of this publication cover the period from the early 1960's to 1983. Volume includes selection of each poet's work, a brief biography, bibliography and photograph. -- Source of annotation: Marvin or Ruth Sackner.
The Contemporary Canadian Poem Anthology Vol. 3, 1983
This book includes selection of each poet's work as well as a brief biography, bibliography and photograph. -- Source of annotation: Marvin or Ruth Sackner.
The Definitive History of Iguanacon / Arthurs, Bruce., 1980
The Dinosaur Park / Fencott, P.C. ; Griffiths, Bill., 1992
The / Figallo, Anthony., 1994
The book consists of the word "the" printed with a different typeface on each page. -- Source of annotation: Marvin or Ruth Sackner.
The Glamour of Running a Business / Anonymous., 1991
The Hits of T.S. Eliot / Adlers, Bengt., 1980
Second book in the trilogy "POETIX" in which Adlers rearranges words and poems to form his own collection. -- Source of annotation: Marvin or Ruth Sackner.
The Horseman's Word: A sequence of concrete poems / Morgan, Edwin., 1970
Also designated Parkland Poet Series No.5 -- Source of annotation: Marvin or Ruth Sackner.
The Ivy, 1990
The first copy was acquired in 1991; a second copy with slightly different color registrations and higher prices published in 2007 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
The Ivy, 2006
The first copy was acquired in 1991 and held by the Sackner Archive; this second copy with slightly different color registrations and higher prices was published in 2007. -- Source of annotation: Marvin or Ruth Sackner.
The Jack Poem / Cobbing, Bob., 1989
Poem consists of phrases which contain the word "Jack." -- Source of annotation: Marvin or Ruth Sackner.
The Limits of My Language Are the Limits of My World, 1999
This object was formed from by photocopied hand lettered text in the style Phillips uses for his text based sculptures, where each letter is physically linked to adjacent ones. The photocopied sentence of the title, glued onto the cube is repeated twice on each of its surfaces. The Sackner Archive also holds the hand-drawn maquette for this work. The text is by the philosopher Ludwig Wittgenstein. -- Source of annotation: Marvin or Ruth Sackner.