Political poetry
Found in 1438 Collections and/or Records:
Emigre. No.3 / Rudy VanderLans, editor., 1985
Enabled Him / Thorne, David., 1990
Endless Threshold / Hirschman, Jack A.., 1992
Includes poem relating to Marvin Sackner (page 73), "I Steal" that begins with the following passage: Scavaging's the way I make my buck. Pick my way thru the garbage of the rich for cardboard, fabric-sampler folders, odd papers, plastics. Paint over them. Send them to a man who collects things like that. Just enough to pay for my hotel pad. -- Source of annotation: Marvin or Ruth Sackner.
Entrails. No.2/Sep-Oct / Gene Bloom, editor ; Berardi M ; Blazek D ; Major C ; Richmond S ; Bloom G ; Elder G ; Bukowski C ; DelPino L ; Miller B ; Tucker H ; Briggs H ; Rufus S ; Kupferberg T ; Sanders E., 1966
This issue is dedicated to and in the memory of Lenny Bruce who died of audience starvation. Fuck em Lenny..for they do not know what they did. The cover was designed by Lawrence Cook. -- Source of annotation: Marvin or Ruth Sackner.
Erratum / Finlay, Ian Hamilton., 1978
This poem is an attack on the intelligence of the British Arts Council, presumably relating to a Finlay proposal or a grant request. The poem reads, For 'mind' read 'void'. -- Source of annotation: Marvin or Ruth Sackner.
Escape, 1994
Essay Packs / Holzer, Jenny., 1980
The typographic appearance of the broadsides shows poorly printed typesetting of the texts. -- Source of annotation: Marvin or Ruth Sackner.
Essence: International Networking Culture / Held Jjr ; Finlay E ; Welch C ; spence p ; Groh K ; Tipping R ; Cleveland B ; Padin C ; Stake C ; Petasz P ; Cohen R ; Gaglione B ; Morandi E ; Dogfish ; Strada G ; Tisma A ; Dellafiora D ; Kamperelic D ; Kamperelic R ; Collins P ; Bogdanovic N ; Blurr B ; Barbot G ; A1 Waste Paper ; Bates K ; Baroni V ; Maggi R ; Ruch G ; Crozier R ; Segay S., 1995
The exhibition was organized by Neil Degney around the theme of Shozo Shimamoto's B'book Burning Edict." One hundred participants from 22 countries sent networking material for the exhibition. The works consisted of correspondence art and personal statements. "Essence reveals both a universal personkind and a global divergence of ideas and circumstance." -- Source of annotation: Marvin or Ruth Sackner.
Esther-Shalev-Gerz: Ton image me regarde !? / Shalev-Gerz, Esther ; Marta Gill, curator ; Edwige Baron, curator., 2010
Estuary / Finlay, Ian Hamilton., 1997
The poem lists names of ships along with names of major oil refinery companies. -- Source of annotation: Marvin or Ruth Sackner.
Et in Arcadia Ego / Finlay, Ian Hamilton; Andrew, John., 1981
Depicts a carved in stone image of an armored vehicle in a landscape scene with an additional caption, "After Nicholas Poussin." -- Source of annotation: Marvin or Ruth Sackner.
Eugenics / Thalia., 1994
European Heads / Finlay, Ian Hamilton; Farthing, Julie., 1992
The word "European' is printed in yellow and the word "Heads" in red. The latter is printed upside down. -- Source of annotation: Marvin or Ruth Sackner.
Events aren't moved by blind change / Goswell, Joan Iversen., 2003
The image depicts George W. Bush astride a horse dressed like a crusader invoking God for initiating the Iraq war. -- Source of annotation: Marvin or Ruth Sackner.
Every Goal Negates. Ludwig Feuerbach / Finlay, Ian Hamilton., 1985
Evidences: From the Postcolonial to the Hybrid State / Colo, Papo., 1990
Execution / Wharton, Margaret., 1987
This drawing provides the assembling instructions for the book object with the same title that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Exit / Materialen zum Dachau Projekt / Gerz, Jochen., 1972
The book is designed to resemble a photograph album with black pages and a single large photograph collaged onto each page. It is a memorial to the Dachau concentration camp in a rather sterlle way.. The writing of the "Dachau Museum" and the writing of the "Dachau Camp" are now intermingled and "their simple presence is the proof of their innocence." This piece is dscribed in Gerz's Catalogue Raisonne Volume II, pages 38-39, a book held by the Sackner Archive. It is designated No.783 in Volume III. The Sackner copy is from the 1st edition; the 2nd edition was reprinted in 300 copies in 1996. -- Source of annotation: Marvin or Ruth Sackner.