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Performance poetry

 Subject
Subject Source: Sackner Database

Found in 888 Collections and/or Records:

The Flight to the Moon, 1993

 Item — Box 328: [Barcode: 31858072490927]
Identifier: CC-23828-24276
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

The Four Suits, 1965

 Item
Identifier: CC-27300-27864
Scope and Contents

The title of this book as described by Dick Higgins refers to the four authors of this book who are each identified in the introductions pages to their section by a suite of playing cards, e.g., clubs, hearts, diamonds and spades. Thus, what they have in common is that 1) each is essentially not operating in a media for which they were trained, 2) each is really operating in a medium or mode of activity of their own devising, which 3) lies somewhere between the conventional concept of the seven arts. The name Ben Patterson is used in this citation rather than Benjamin Patterson since all other references in this database refer to Ben not Benjamin Patterson. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS / BOOKS (moved to alphabetical shelves)

The History of Performance Art According to Me / Martha Wilson; S Mallarme; FT Marinetti; G Apollinaire; V Mayakovsky; J Holzer; D Higgins; L Weiner; R Johnson., 2005

 Item
Identifier: CC-48128-69151
Scope and Contents

This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials (unprocessed)

The History of Performance Art According to Me / Martha Wilson; S Mallarme; FT Marinetti; G Apollinaire; V Mayakovsky; J Holzer; D Higgins; L Weiner; R Johnson., 2005

 Item
Identifier: CC-48128-69151
Scope and Contents

This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials (unprocessed)

The History of Performance Art According to Me / Wilson, Martha; Mallarme S; Marinetti FT; Apollinaire G; Mayakovsky V; Holzer J; Higgins D; Weiner L; Johnson R., 2008

 Item
Identifier: CC-48127-69150
Scope and Contents

This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

The Howard Stern TV Show / Joni Mabe, 1990

 Item
Identifier: CC-05895-6007
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / Exhibition Announcements

The Invisble Reader / Penney, Bridget, editor ; Holman, Paul, editor ; Barnett A ; Bennett JM ; Bevis J ; Caddel R ; Culbert B ; Dellafiora D ; Finlay IH ; Gilonis H ; Griffiths B ; Home S ; Johnson R ; Mayrocker F ; Norris R., 1995

 Item
Identifier: CC-51672-72772
Scope and Contents

This book a performance poem about the French revolution by Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Jack Poem / Cobbing, Bob., 1989

 Item
Identifier: CC-17628-17996
Scope and Contents

Poem consists of phrases which contain the word "Jack." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

The Last Acts Of Saint Fuck You / Porter, Bern., 1975

 Item
Identifier: CC-59682-52182
Dates: 1975
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

The Last Rondo In Paris (and Other Reversals), 1983

 Item
Identifier: CC-46867-49602
Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Lemurs / Jake Berry; John M. Bennett., 1991

 Item
Identifier: CC-49140-70180
Scope and Contents

Stored with Jake Berry's tapes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials (unprocessed)

The Maenads, 2011

 Item — Box 328: [Barcode: 31858072490927]
Identifier: CC-52791-73928
Scope and Contents Wikepedia: "In Greek mythology, maenads were the female followers of Dionysus (Bacchus in the Roman pantheon), the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Often the maenads were portrayed as inspired by him into a state of ecstatic frenzy, through a combination of dancing and drunken intoxication. In this state, they would lose all self-control, begin shouting excitedly, engage in uncontrolled sexual behavior, and ritualistically hunt down and tear to pieces animals "” and, in myth at least, sometimes men and children "” devouring the raw flesh. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped by a cluster of leaves; they would weave ivy-wreaths around their heads, and often handle or wear snakes." According to the Basinski's inscription on the verso of the drawing, "the Maenads had ladder like tattoes groves on their arms And I...
Dates: 2011
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS

The Massacre of the Innocents / Cobbing, Bob ; Rowan, John ; Nuttall J., 1963

 Item
Identifier: CC-17989-18359
Scope and Contents

Designated Poets 2. The cover was designed by Jeff Nuttall. These are Cobbing's first published poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Massacre of the Innocents: Working Copy / Cobbing, Bob ; Rowan, John ; Nuttall J., 1963

 Item
Identifier: CC-17990-18360
Scope and Contents

Designated Poets 2. This copy was probably used by Cobbing for a performance/reading as it contains additional printed and handwritten poems pasted onto the pages as well as handwritten notes. The cover was designed by Jeff Nuttall. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Miracle Mile / Jamie Hilder., 2008

 Item
Identifier: CC-48964-70002
Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials (unprocessed)

The Nomads & The RedReadymadeTrain / Olbrich, Jurgen O. ; Hainke W ; Klassen N ; Gurtler C ; Monro N ; Pouls G ; Koch W ; Noel A ; Williams E ; Zabelka M ; Wendt HB ; Olbrich JO., 1992

 Item
Identifier: CC-05283-5386
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

The Philosophical Palace / Byars, James Lee ; Beuys J ; Broodthaers M., 1986

 Item
Identifier: CC-21454-21865
Scope and Contents

Edited by Jurgen Harten. The book was translated by Heather Eastes, Stephen Reader, and Annelies Dickler. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

The Poem Begins Here with Help of Arrows / Steen, Vagn., 1969

 Item
Identifier: CC-28173-29336
Scope and Contents

The card gives neo-dada directions for the reading of the imagined poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

The Poetic In(ter)vention , 1987

 Item — Box 313: [Barcode: 31858072490794]
Identifier: CC-24498-24951
Scope and Contents

This book records Aguiar's philosophy about concrete and performance poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS

The Printed Performance: Brian Lane Works 1966-99 , 2001

 Item
Identifier: CC-54359-643247
Scope and Contents Stored in box with Gallery Number Ten publications.Internet: Brian Lane's unique contribution to small-press publishing began in the mid 1960s at Gallery Number Ten in Blackheath, South East London. This was one of the first artists' spaces in Britain, and alongside its programme of exhibitions and events, there emerged a growing list of publications with poets and artists. In the late 1970s Lane issued many of his distilled performances in print and in the mid-1980s he worked extensively on the seminal exhibition The Artist Publisher and accompanying catalogue. Throughout all his work, there is the sense of a printed score to be performed, from the earlier days of experimental music through improvisations on small letterpress printing machines, to the use of photocopier and rubber stamp. This illustrated primer includes an extensive bibliography by John Janssen of all Brian Lane's published works, now held in the Tate Gallery Archive. -- Source of annotation: Marvin or Ruth...
Dates: 2001
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS / SMALL BOOKS

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