Performance poetry
Found in 888 Collections and/or Records:
Performance Anthology, Source Book for a Decade of California Performance Art / Loeffler, Carl E., editor ; Tong, Darlene, editor ; Acconci V ; Amirkhanian C ; Antin D ; Antin E ; Ashley R ; Atchley D ; Baldessari J ; Banana A ; Beuys J ; Cleveland B ; Cumming R ; Cook G ; deCointet G ; Filliou R ; Frank P ; Freilicher M ; Friedman K ; Gaglione B ; Gnazzo A ; Higgins D ; Hoffberg J ; Higgins D ; Kaprow A ; Kostelanetz R ; Nauman B ; Oppenheim D ; Pomeroy J ; Rothenberg J ; Tavenner P ; Wiley WT ; Young G ; Lacy S., 1980
This book provides highlights and photographs of performances carried out in California in the seventies. It is the first volume of the "Contemporary Documents" series edited by Carl Loeffler. Carl Loeffler died in January 2001. -- Source of annotation: Marvin or Ruth Sackner.
Performance Art / Lipman, Joel., 1990
Performance Art: Memoirs Volume 1 / Nuttall, Jeff., 1979
Performance Art Netzwerk, 1992
[Performance] / Ferrando, Bartolome., 1998
Each card depicts Ferrando in a performance. -- Source of annotation: Marvin or Ruth Sackner.
Performance In Postmodern Culture / Benamou, Michel, editor ; Caramello, Charles, editor ; Federman R ; Jabes E ; Lyotard JF ; Rothenberg J ; Acconci V ; Cage J ; Benemou M ; Derrida J ; Duchamp M ; Gass W ; Grossinger R ; Fuller B ; Higgins D ; Kristeva J ; MacLow J ; Marinetti FT ; McLuhan M ; Schnebel D ; Shattuck R ; Snyder G ; Sukenick R ; Tzara T ; Waldrop R ; Wittgenstein L ; Tatham C ; Hassan I., 1977
This book consists of a collection of essays in its first half written with a highly academic approach to performance. Its second half features experimental writing and layout. Thus, it begins with an essay by Campbell Tatham, " Mythology and Postmodern Fictions: Magic is Afoot," a work characterized as a "verbal" performance by the editors. It is printed with a typewriter font and includes several shaped texts. Another "verbal" performance using the same approach along with concrete poems is found in the essay contributed by Raymond Federman, "Voices within Voices." Finally, Ihab Hassan provides an experimental drama in his essay, "Prometheus as Performer: Toward a Posthumanist Culture?" -- Source of annotation: Marvin or Ruth Sackner.
Performance: Live Art Since 1960 / Goldberg, Rose Lee ; Anderson L ; Beuys J ; Reich S ; Acconci V ; Antin E ; Cage J ; Eno B ; Finlay K ; Glass P ; Greenaway P ; Hamilton A ; Kelley M ; Knizak M ; Lacy S ; Latham J ; Lebel JJ ; Maciunas G ; Manzoni P ; Marclay C ; Metzger G ; Nitsch H ; Nauman B ; Oldenburg C ; Oleszko P ; Ono Y ; Ontani L ; Paik NJ ; Piper A ; Rauschenberg R ; Schneemann C ; Ben ; Vostell W ; Wilson R ; Young L ; Mendieta A ; Horn R ; Magnuson A ; Klein Y ; Latham J ; Knizak M ; Vostell W ; Fabre J ; Monk M ; Graham D ; Gilbert & George ; Abramovic M ; Export V ; P-orridge G ; Orlan ; Wilson M ; Sprinkle A ; Montano L., 1998
Laurie Anderson wrote the introduction to the book. -- Source of annotation: Marvin or Ruth Sackner.
Performance Modifiante en Accelere Ampliflie et Mix / Hubaut, Joel., 2000
Performance "n" Phi Editions / Bericat, Pedro., 1994
Performance Poets at Battersea / Burke, Herbert, editor ; Finch P ; Farmer R ; Fencott PC ; Cheek C ; Upton L ; King P ; Cobbing B ; Mandelstam O., 1977
Includes new and old poems that have been reprinted. -- Source of annotation: Marvin or Ruth Sackner.
Performance Works / Olbrich, Jurgen O.., 1987
Performance/Installation, 1980
Rubberstamped "Art Abject - Tabu - Lieutenant Murnau." -- Source of annotation: Marvin or Ruth Sackner.
Performance/Installation, 1980
Rubberstamped "Art Abject - Tabu - Lieutenant Murnau." -- Source of annotation: Marvin or Ruth Sackner.
Performances Poeticas / Ferrando, Bartolome; Boso F., 1988
Peter's Leeks/Cennin Pedr / Finch, Peter ; Claire, Paula., 1988
This is No.19 in the series published by International Concrete Poetry Archive. -- Source of annotation: Marvin or Ruth Sackner.
Petro Breath/ El Ninguneo / John M. Bennett; Jeff Olson., 1994
Pharoah On The Ferry, 1981
This work is a modern enactment of the passage of the Sungod of night, or Osiris, through the first gate of the Neter-Khertet (divine underworld). The poem is accompanied by line drawings of New York scenes done by Kern. -- Source of annotation: Marvin or Ruth Sackner.