Rotapoems, dedicated to Dieter Roth, are in fact 6 versions of a poem in Roth's lyrical collection "Scheisse," Providence 1966. They are a return to a form Williams first used in his book "Konkretionen," Krefeld 1959, and the "Litanies for Alison Knowles," placed in a musical landscape by Dick Higgins in 1966. The vowels of Roth's original poem are shifted progressively from version to version, resulting in constant sound changes and frequent alterations in sense. They are meant to be read aloud." -- Source of annotation: Marvin or Ruth Sackner.

The work is composed of six columns of three word sentences describing a personal activity, which according to the title, should be read loudly. Dieter Roth's name in this publication is printed as Diter Rot. This work was loaned to the Museum of Modern Art NYC for their exhibition, "Eye on Europe: prints, books & mutiples 1960 to now." -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.20. Images of the poems depict galaxies of stars as imagined by Claire after staring at the sky for several nights following her attendence at a conference on galaxies. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Brian Lane and Trevor Wells. The cards have either one to three letter, o's or filled in o's or are blank. The reader is instructed to speak every 'o' & clap every period sign [in order to generate a phonetic poem]. Designated No.110 in bibliography of book entitled "The Printed Performance Brian Lane Works 1966-99." Two copies of a similar but less costlly printing at Leeds in 1967 are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This issue is part of Gronk Intermediate Series No.20 where it is stored. A separate copy is also stored in Ganglia 5 Cent Mimeo Series. -- Source of annotation: Marvin or Ruth Sackner.

This issue is part of Gronk Intermediate Series No.20 where it is stored. A separate copy is also stored in Ganglia 5 Cent Mimeo Series. -- Source of annotation: Marvin or Ruth Sackner.

This issue is part of Gronk Intermediate Series No.20 where it is stored. A separate copy is also stored in Ganglia 5 Cent Mimeo Series. -- Source of annotation: Marvin or Ruth Sackner.

This issue is part of Gronk Intermediate Series No.20 where it is stored. A separate copy is also stored in Ganglia 5 Cent Mimeo Series. -- Source of annotation: Marvin or Ruth Sackner.

This issue is part of Gronk Intermediate Series No.20 where it is stored. A separate copy is also stored in Ganglia 5 Cent Mimeo Series. -- Source of annotation: Marvin or Ruth Sackner.

This issue is part of Gronk Intermediate Series No.20 where it is stored. A separate copy is also stored in Ganglia 5 Cent Mimeo Series. -- Source of annotation: Marvin or Ruth Sackner.

This issue is part of Gronk Intermediate Series No.20 where it is stored. A separate copy is also stored in Ganglia 5 Cent Mimeo Series. -- Source of annotation: Marvin or Ruth Sackner.

John Riddell contributed poems as Jay Riddell and composed these poems in the spelling style of bill bissett. -- Source of annotation: Marvin or Ruth Sackner.

Includes an essay on Intermedia by Adriano & Maurizio Spatola. This issue contains a photograph of a poem on Nixon by Anna Esposita that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The poems are based on chance operations as used by John Cage. -- Source of annotation: Marvin or Ruth Sackner.

This book lists 83 multiples, 10 prints and 28 books made by Brecht as well as ephemera and contributions to periodicals. -- Source of annotation: Marvin or Ruth Sackner.