This is a definitive catalogue of the wiener gruppe. A section toward the end of the book depicts artworks by the group to subsequent artworks done by the international art community suggesting their widespread influence. -- Source of annotation: Marvin or Ruth Sackner.

Amazon.com: "Since its formation in 1987, Critical Art Ensemble has set out to explore the intersections between art, critical theory, technology and political activism. The award-winning group of tactical media practitioners has exhibited and performed in a variety of venues internationally, from the street to the museum to the internet. Disturbances is the first book to assess the group's 25-year history, examining the environmental, political and bio-technological themes of their various initiatives.In the publication, each project is presented by the group itself, from their early live multimedia productions; to their development of models of electronic civil disobedience, digital resistance, and contestational biology and ecology; to their most recent tactical media projects.Disturbances is a landmark handbook for activists in art, theory, science and politics." -- Source of annotation: Marvin or Ruth Sackner.

Designated page 34 on verso, presumably in reference to a publication. -- Source of annotation: Marvin or Ruth Sackner.

One copy is inscribed in graphite as 'do it' and the other copy in red ink as 'tonk, can you spare the time to do it? -- Source of annotation: Marvin or Ruth Sackner.

The card provides instruction for this Fluxus-like piece: "Ask several people in the audience to bark like dogs and cue and correct them. Variously tell them to shut up." -- Source of annotation: Marvin or Ruth Sackner.

This letter provides instructions for a performance piece that was mailed as a solicitation for a contribution to the New York artist bookshop, "Printed Matter." -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive also holds two signed copies of this colored photograph that depictsthe three artists. -- Source of annotation: Marvin or Ruth Sackner.

This issue served as the catalogue for the Nth International Festival of Disappearing Art(s) or FDA. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Kirby Malone and Marshall Reese. -- Source of annotation: Marvin or Ruth Sackner.

This issue is compiled as a program and documentation of Le Plan K, a Belgian theater group. It includes examples of Gysin's calligraphy. -- Source of annotation: Marvin or Ruth Sackner.

This book, which is divided into four sections, consists of black and white photographs of Masic striking different poses against a poster with the word, 'ego' printed in a dense, rectilinear grid. -- Source of annotation: Marvin or Ruth Sackner.

Hubaut wrote this piece during his stay at the Sackner's apartment while a performer at the Sackner's contribution to a show at the Frost Art Museum. -- Source of annotation: Marvin or Ruth Sackner.

Hubaut wrote this piece during his stay at the Sackner's apartment while a performer at the Sackner's contribution to a show at the Frost Art Museum. -- Source of annotation: Marvin or Ruth Sackner.

Hubaut wrote this piece during his stay at the Sackner's apartment while a performer at the Sackner's contribution to a show at the Frost Art Museum. -- Source of annotation: Marvin or Ruth Sackner.

Hubaut wrote this piece during his stay at the Sackner's apartment while a performer at the Sackner's contribution to a show at the Frost Art Museum. -- Source of annotation: Marvin or Ruth Sackner.

Hubaut wrote this piece during his stay at the Sackner's apartment while a performer at the Sackner's contribution to a show at the Frost Art Museum. -- Source of annotation: Marvin or Ruth Sackner.