Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Geometrical papers with the letters s m l o e, derived from a duplicator process, printed in all directions are interspered with cut-out blank squares and diagonal lines to create a patterning effect. -- Source of annotation: Marvin or Ruth Sackner.

Contains a short biography of Chopin and reproductions of five typewriter works. -- Source of annotation: Marvin or Ruth Sackner.

Each print consists of a photocopied image of a three dimensionsal language poem. Reed Altemus is the publisher of Live Matter. -- Source of annotation: Marvin or Ruth Sackner.

The image is created totally with dashes and equal signs in a fan-like configuration. -- Source of annotation: Marvin or Ruth Sackner.

The image is created totally with dashes and equal signs in a fan-like configuration. -- Source of annotation: Marvin or Ruth Sackner.

The image is created totally with slashes. -- Source of annotation: Marvin or Ruth Sackner.

This work is from John Furnival's scrapbook. It is shaped as an octagon and was folded and pasted into Furnival's book. The typewritings are of a red color. -- Source of annotation: Marvin or Ruth Sackner.

The entire patterned typing and the frame are composed of o's. Four apparent spheres are enclosed by the square. -- Source of annotation: Marvin or Ruth Sackner.

The square border of this work is formed from typed "6's" and "9's." A circle internal to the border is formed from parallelograms that are typed from slash marks. -- Source of annotation: Marvin or Ruth Sackner.

The image is composed of parallelograms made of slashes and dashes with added quotation marks. -- Source of annotation: Marvin or Ruth Sackner.

The hands of this clock-like object each have a letter at their ends that spells, "Sylvester" after the poet Dom Sylvester Houedard. However, the arrangement of the gears which staggers the letters from ever lining up to form this word. The background creates a subtle Moire effect as the hands move across it. The clock was made by Kenelm Cox on behalf of Dom Sylvester Houedard. According to William Allen, bookseller, it was a surprise gift from Cox to Houedard. -- Source of annotation: Marvin or Ruth Sackner.

The hands of this clock-like object each have a letter at their ends that spells, "Sylvester" after the poet Dom Sylvester Houedard. However, the arrangement of the gears which staggers the letters from ever lining up to form this word. The background creates a subtle Moire effect as the hands move across it. The clock was made by Kenelm Cox on behalf of Dom Sylvester Houedard. According to William Allen, bookseller, it was a surprise gift from Cox to Houedard. -- Source of annotation: Marvin or Ruth Sackner.

The word 'taciturn' is drawn in large block capital letters to give a three dimensional appearance with a break at the 'I' and 'T' such that the 'TURN' component of the word recedes into the third dimension. -- Source of annotation: Marvin or Ruth Sackner.

The blue figures are lined up and spaced by size. -- Source of annotation: Marvin or Ruth Sackner.

There are 16 blocks of over-printed words in this piece. Nannucci's name and address are rubberstamped on the verso.The title and 1965 are written in graphite. -- Source of annotation: Marvin or Ruth Sackner.

There are 16 columns of over-printed words in this piece. Nannucci's name and address are rubberstamped on the verso.The title and 1966 are written in graphite. -- Source of annotation: Marvin or Ruth Sackner.