The technique used for these photographs is the Rayograph and Sabatier acknowledges his debt to Man Ray in an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

This book was made to honor the centenary of the birth of Arthur Rimbaud. The images are collaged to the 50 keys of a restored child's game. One image is collaged to the visible part of each key. Depression of the key, which is hinged, brings up two additional images, viz., one collaged to its undersurface, the other collaged to the surface that was covered by the upper part. The box of this object is covered by red cloth. -- Source of annotation: Marvin or Ruth Sackner.

This book was made to honor the centenary of the birth of Arthur Rimbaud. The images are collaged to the 50 keys of a restored child's game. One image is collaged to the visible part of each key. Depression of the key, which is hinged, brings up two additional images, viz., one collaged to its undersurface, the other collaged to the surface that was covered by the upper part. The box of this object is covered by black cloth. -- Source of annotation: Marvin or Ruth Sackner.

This book was made to honor the centenary of the birth of Arthur Rimbaud. The images are collaged to the 50 keys of a restored child's game. One image is collaged to the visible part of each key. Depression of the key, which is hinged, brings up two additional images, viz., one collaged to its undersurface, the other collaged to the surface that was covered by the upper part. The box of this object is covered by red cloth. -- Source of annotation: Marvin or Ruth Sackner.

This book was made to honor the centenary of the birth of Arthur Rimbaud. The images are collaged to the 50 keys of a restored child's game. One image is collaged to the visible part of each key. Depression of the key, which is hinged, brings up two additional images, viz., one collaged to its undersurface, the other collaged to the surface that was covered by the upper part. The box of this object is covered by black cloth. -- Source of annotation: Marvin or Ruth Sackner.

This book has a very dense text about Isou's philosophy without illustrations. -- Source of annotation: Marvin or Ruth Sackner.

The edition size of this work is unknown but since there is a great deal of hand drawn additions, each one must be unique. -- Source of annotation: Marvin or Ruth Sackner.

The Lettrist drawings of Woody Roehmer, who is Satie's wife, illustrate the sound poem of Satie. The pages are Japan paper. -- Source of annotation: Marvin or Ruth Sackner.

The cover of the book depicts a cyclist who is composed of elements of graphic design e.g., exclamation point, question mark, parenthsis, commas, period, bracket, not-equal-to sign. This is the deluxe edition which contains 5 prints numbered 2/60 and prints on velin d'arche numbered 2/20. The Sackner Archive also holds "The Cyclist" by William Jay Smith published in 1995 by Stone House Press. Dupont and Smith were introduced by the Sackners in Paris and shortly thereafter became collaborators. -- Source of annotation: Marvin or Ruth Sackner.

This book includes an introductory essay by Frederique Devaux and photographic illustrations of Lettrist works from 1963 (Isou) through 1997 (James and Gillard). -- Source of annotation: Marvin or Ruth Sackner.

These drawings originally done in 1970 consist of individual letters of a Lettrist Alphabet; all three sets of this work display slight differences in imagery. Francisco Conz, the sponsor, holds a copy of this work (1/3). -- Source of annotation: Marvin or Ruth Sackner.

The texts written by Isou, Satie and Bermond enlarge on the Lettrist philosophy. The book is illustrated with documentary photographs and original Lettrist works. -- Source of annotation: Marvin or Ruth Sackner.

The collaged element on the card is a microfiche of a novel. -- Source of annotation: Marvin or Ruth Sackner.

Isidore Isou contributes an essay written in 1968 which includes an "Introduction au Lettrisme," "La Photographie Ciselante," "La Photographie Lettriste et Hypergraphique," "La Photographie Supertemporelle," and "L'Avenir de la Photographie." The photographs mainly depict images captured by the camera from life or collage and subsequently treated with paint, ink, and/or scratched additions to the negative or the photograph itself. This copy is one of 20 reserved for the contributors which in this was Maurice Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Lemaitre sets the boundaries constituting the visual expressions of Lettrisme. The drawing is unique to each copy of the book. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Lemaitre sets the boundaries constituting the visual expressions of Lettrisme. The drawing is unique to each copy of the book. -- Source of annotation: Marvin or Ruth Sackner.