This is an advertisement from Hewitt Management. -- Source of annotation: Marvin or Ruth Sackner.

Advertisement from Hewitt Management. -- Source of annotation: Marvin or Ruth Sackner.

This collage-paper weaving, presented as a grid, was made from a PTL brochure, ultra fundamentalist religious material, Pluto & Goofy comics, color copy illustration from Andersen's fairy tales, anti-milking brochure, Florida Governor Chiles' campaign brochure, Senator (North Carolina) Jesse Helmes' campaign brochure, and religious-political material from a comic strip. This is detailed in a photocopied print, affixed to the verso, to which ink, handwritten comments have been added. -- Source of annotation: Marvin or Ruth Sackner.

This photograph depicts the scuptural work in three views. -- Source of annotation: Marvin or Ruth Sackner.

The cover and book were designed by T. Mercer. This is the second printing of the book that corrected the misspelling of the title. -- Source of annotation: Marvin or Ruth Sackner.

The cover and book were designed by T. Mercer. This first printing has an incorrect title, 'Perisyle' rather than 'Peristyle.' -- Source of annotation: Marvin or Ruth Sackner.

Introduction by Harry Polkinhorn. Cover design by Bob Grumman. -- Source of annotation: Marvin or Ruth Sackner.

This book is from the "Invisible City Series." Zellen describes her work in an afterward that states, "The photograph is a framed segment of reality, captured by an unknown photographer, It is a picture of a public place - an interior or exterior view that depicts the city as a place for action and change. The image is fragmented and distanced from the original through cropping and selection. In these images the places become uninhabitable and the people become isolated. The language is abstracted. The text becomes an image." The Sackner Archive holds a photograph from this series. -- Source of annotation: Marvin or Ruth Sackner.

This book is from the "Invisible City Series." Zellen describes her work in an afterward that states, "The photograph is a framed segment of reality, captured by an unknown photographer, It is a picture of a public place - an interior or exterior view that depicts the city as a place for action and change. The image is fragmented and distanced from the original through cropping and selection. In these images the places become uninhabitable and the people become isolated. The language is abstracted. The text becomes an image." The Sackner Archive holds a photograph from this series. -- Source of annotation: Marvin or Ruth Sackner.

The author's Ukrainian name is Rafael Le Vchyn. This dense, complex collage consists of printed and handwritten texts. The collaged elements consist of printed texts and printed images taken from newspapers and periodicals. Fragments of black text with varied typefaces on white papers provide the background. Fragments of white text with varied typefaces on black papers create the image of a large head that resembles a visual/verbal space alien. This collage was purchased by Marvin Sackner from the artist at the Eye Rhymes conference in Edmonton, Canada in 1997. -- Source of annotation: Marvin or Ruth Sackner.

The work consists of hundreds of loose, moveable chads from printed text in the foreground with pasted printed chads as a collaged relief onto the background enclosed within a picture frame. The work provides a dynamic three dimensional image of positive and negative space as the fragments of paper are closer and further away from the plexiglas barrier. The artist's printed comments in German on this work have been pasted to the verso. -- Source of annotation: Marvin or Ruth Sackner.