Fragmented text
Found in 1081 Collections and/or Records:
from Death Text 2002-2004 / Leftwich, Jim., 2004
All the images consist of female nudes superimposed on texts that have English or made up words. The colors in the prints appear to have been manipulated in PhotoShop to give a solarized effect. -- Source of annotation: Marvin or Ruth Sackner.
From the Book - On the Book - By the Book, 1985
The pyramidal shaped pages have embedded torn, paper fragments from a printed text on pyramids. The paper fragments are shaped like hieroglyphics or pictograms. -- Source of annotation: Marvin or Ruth Sackner.
From The Handbook Of That & Furriery / O'Sullivan, Maggie., 1986
In a seminar at the University of Pennsylvania Rare Books Collection featuring Mathew Abess' exhibition of Bob Cobbing's work, O'Sullivan stated that the red hand painted on the cover was done by Cobbing using paint applied with a shaving brush. The book is a score for a performance with slides. -- Source of annotation: Marvin or Ruth Sackner.
From three only one JHK/Book No.(54) / Kocman, J.H.., 1987
Frozen Hypnosis: Totally Nude. No.4 / Bern Porter, editor., 1990
Frozen in Time / Humann, Richard., 2000
Small black letters that spell Frozen in Time are embedded in the resin. -- Source of annotation: Marvin or Ruth Sackner.
Furst Fruts Uv 1977 2nd Edition / Cobbing, Bob ; Upton, Lawrence., 1978
Designated fours number fifteen. Cover names are printed as lawrence cobton & bob upbing. -- Source of annotation: Marvin or Ruth Sackner.
Furst Fruts Uv 1977 3rd Edition / Cobbing, Bob ; Upton, Lawrence., 2000
Designated fours number fifteen. Cover names are printed as lawrence cobton & bob upbing. -- Source of annotation: Marvin or Ruth Sackner.
Furst Fruts Uv 1977 / Cobbing, Bob ; Upton, Lawrence ; Hanson S., 1977
Designated fours number fifteen and is the first edition. Cover names are printed as lawrence cobton & bob upbing. -- Source of annotation: Marvin or Ruth Sackner.
futura: De coll age Aktions Text. No.22 / Wolf Vostell., 1967
This poem is printed with several different font sizes in a chaotic, albeit as a horizontal structure. This work was loaned to the Museum of Modern Art NYC for their exhibition, "Eye on Europe: prints, books & mutiples 1960 to now." -- Source of annotation: Marvin or Ruth Sackner.
Gaaaa!. No.1., 1981
The acronym in the title stands for Greater Ashville Area Arts Assemblage. -- Source of annotation: Marvin or Ruth Sackner.
Gallery Number Ten Publications: Four Portraits of a Poet, 1967
Poems from 1966 are reproduced on the fold-out page. Designated No.128 in bibliography of book entitled "The Printed Performance Brian Lane Works 1966-99." Edited by Brian Lane and Trevor Wells. -- Source of annotation: Marvin or Ruth Sackner.
Gallery Number Ten Publications: Four Portraits of a Poet (reprint), 1978
Poems from 1966 are reproduced on the fold-out page. Edited by Brian Lane and Trevor Wells. -- Source of annotation: Marvin or Ruth Sackner.
Gamut, The. No.9/Spr-Sum / Leonard Trawick, editor ; Helmes S ; Kempton K ; Ernst KS ; Cameron C ; Cole D ; Prost R ; Lipman J ; Melnicove M ; Miller J ; Rachel N ; Rosenberg MR ; Robertson K ; Stoloff C ; Tice A., 1983
This issue prints the results of a concrete poetry contest. The first prizes were shared by Scott Helmes and Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Ganglia 5 Cent Mimeo Series: Soundstruct. No.16 / Cavan McCarthy., 1969
Ganglia 5 Cent Mimeo Series: The Dreame Sandwich. No.3 / D.r. Wagner., 1969
Ganglia 5 Cent Mimeo Series: Theory of Mailing. No.8 / David Aylard., 1969
The poem is a double entendre which reads, "Post Tu Late." One copy measures 10 x 17.4 cm, the other 12.2 x 16.7 cm. -- Source of annotation: Marvin or Ruth Sackner.
Ganglia 5 Cent Mimeo Series: thong?. No.33 / Gerry Gilbert., 1969
Ganglia 5 Cent Mimeo Series: Wourneys. No.21 / David Aylward., 1968
This pamphlet was also published as Gronk Series 5 No.3. -- Source of annotation: Marvin or Ruth Sackner.