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Found poetry

 Subject
Subject Source: Sackner Database

Found in 899 Collections and/or Records:

I understand (2 Jan 1968) / Dom Sylvester Houedard., 1968

 Item
Identifier: CC-56829-10000197
Scope and Contents

The top two plastic extensions are arms and the bottom two are legs.The full collaged text reads "I understand singly or in display." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

I understand (2 Jan 1968) / Dom Sylvester Houedard., 1968

 Item
Identifier: CC-56829-10000197
Scope and Contents

The top two plastic extensions are arms and the bottom two are legs.The full collaged text reads "I understand singly or in display." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

I wanna wake up... / Sackner, Sara., 1979

 Item
Identifier: CC-59864-10002921
Scope and Contents

Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[IEntry] / Helmes, Scott; Bennett, John M.., 2002

 Item
Identifier: CC-39274-41221
Scope and Contents

In this collaboration between the two poets, Bennett selected random words, and Helmes provided cut-up, fragmented, printed text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[If You Take Your Time], 1988

 Item — Box 341: [Barcode: 31858072491263]
Identifier: CC-23848-24296
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS

Ils traversent (28 SEP 1967) / Houedard, Dom Sylvester., 1967

 Item
Identifier: CC-56863-10000228
Scope and Contents

The beginning of the title translates to 'they cross.' -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Imaginando la Poetica: Poesia Visual / Aguiar, Fernando., 2010

 Item
Identifier: CC-51300-72389
Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS / SMALL BOOKS / ARTIST CARD SETS

Imaginary Missing Paper / Davenport, Philip ; Parkinson, Gary., 1999

 Item
Identifier: CC-45093-47270
Scope and Contents

The book consists of altered photographs of family and friends of Parkinson and poems from description of missing persons. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Immersed in cream / Dom Sylvester Houedard., 1967

 Item
Identifier: CC-56877-10000242
Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

Immersed in cream / Dom Sylvester Houedard., 1967

 Item
Identifier: CC-56877-10000242
Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

[Impact on the Land], 1988

 Item — Box 341: [Barcode: 31858072491263]
Identifier: CC-23843-24291
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS

In Octavo: Geometrie Variable. No.8 / Bernard Villers., 1994

 Item
Identifier: CC-08570-8742
Scope and Contents

A leaf is collaged to the inner back cover of the folder. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

In the back of every dying civilisation / Finlay, Ian Hamilton., 1981

 Item
Identifier: CC-12066-12290
Scope and Contents

The poem consists of two quotes attributed to Herbert Read and Claude Chimerique. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

In the Changing Poetry, It's the Abstract in "Concrete" Form / Davis, Douglas M.; Williams E; Gomringer E; Bremer C; Dohl R; Giorno J; Gross R., 1967

 Item
Identifier: CC-14734-15047
Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Information Series One: Notes on Umpiring and Exercises (Extracts 1). Suppl.3., 1980

 Item
Identifier: CC-30345-31759
Scope and Contents

The texts is taken from a British Army book of standing orders for troops from the G.H,Q, Home Forces, 1943. The pages are rubberstamped from a single stamp in varying colors with images of an explosion. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Information Series One: Notes on Umpiring and Exercises (Extracts 1). Suppl.3., 1980

 Item
Identifier: CC-40480-42452
Scope and Contents

The texts is taken from a British Army book of standing orders for troops from the G.H,Q, Home Forces, 1943. The pages are rubberstamped from a single stamp in varying colors with images of an explosion. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Ings - (one voice) / Helmes, Scott., 2002

 Item
Identifier: CC-40315-42286
Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Inkwell & Paperweight, 1992

 Item
Identifier: CC-38035-39921
Scope and Contents

Cutts lists the sources for the minimalist, colored, poems in this book, e.g., from Alan Halsey's catalogue, perhaps from Boudin, untraceable quotation from Stephane Mallarme, etc. For example, one poem reads, "the only texts I ever - wrote were the titles." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

Insect Trust Gazette. No.1/Sum / Jed Irwin, William Levy, Robert Basara, Leonard Belasco, editors ; Burroughs WS ; Gysin B ; Berge C ; MacLow J ; Arp H ; Ernst M ; Eluard P ; Klee P., 1964

 Item
Identifier: CC-55616-57839
Scope and Contents William Burroughs explanation for his typewriter machine poem accompanying this record (MAS basically a masking process): I enclose an experiment in machine writing that anyone can do on his own typewriter. The experiment consists in passing any prose through a grid. The prose I selected for the present example was press criticisms of Naked Lunch and my latest book Dead Fingers Talk. John Wayne, Philip Toynbee, Anthony Quinton (whoever he may be) John Donnelley (") some joker from the New Yorker and Time. I selected mostly unfavorable criticisms with a special attention to meaningless machine turned phrases such as 'irrelevant honesty of hysteria' the pocked dishonored flesh' ironically the format is banal' etc. Then ruled off a grid "”(Grid I) and wove the prose into it like start a sentence from J. Wane, in square I continue in square 3 5 and 7. Now a sentence from Toyby started in square 2 4 and 6. The reading of the grid back to straight prose can be done say one across and one...
Dates: 1964
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Installations 1991-1993 / Berkowitz, Lauren., 1995

 Item
Identifier: CC-24025-24475
Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

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