Chopin asks Verey to present and sign his works at an exposition in July. -- Source of annotation: Marvin or Ruth Sackner.

Chopin writes that he will exhibit Verey's works. He also discusses translating the poster "Je." -- Source of annotation: Marvin or Ruth Sackner.

Chopin discusses specific graphic design ideas for the poster "Je." He mentions that he hopes to meet him at their homes or in London. -- Source of annotation: Marvin or Ruth Sackner.

Chopin thanks Verey for subscribing to "The Last Novel." He expresses hope for a very good poster from Verey for OU. -- Source of annotation: Marvin or Ruth Sackner.

Chopin writes that Edouard Jaguer found Verey's work to be very important. Requests Verey to make poster "We Are All Exiles" in four languages. -- Source of annotation: Marvin or Ruth Sackner.

Chopin states poster for Jaguer is entitled "Nous Sommes Tous des Emigres." He thanks Verey for his reviews of OU. -- Source of annotation: Marvin or Ruth Sackner.

Chopin sends two subscriptions for "The Last Novel in the World" and requests a poster from Verey for OU 38/39. -- Source of annotation: Marvin or Ruth Sackner.

Offers Verey a publisher's discount. Letter has been written on verso of Revue Ou subscription advertisement. -- Source of annotation: Marvin or Ruth Sackner.

Chopin mentions sending Verey a small article about Ken Cox along with a poster and catalogue of Fiumalbo's work. -- Source of annotation: Marvin or Ruth Sackner.

Chopin agrees with an August 3rd meeting with Verey and Furnival and wil stay at either one's house. -- Source of annotation: Marvin or Ruth Sackner.

Discusses potential literary contribution to the magazine Ear, and provides a list of performance pieces. -- Source of annotation: Marvin or Ruth Sackner.

The letter is addressed to chas dear.The first paragraph urges Cameron to get DSH his proper Olivetti because "it is DESPARATE to use this fucking twr i just cant FEEL it...bring me SPARE OLIVETTI to use instead of this GHASTLY olympia that isn't MADE for typestracting ==you must TELL them who i mean how my LIFE is spent glorifying their mechanisms." -- Source of annotation: Marvin or Ruth Sackner.

The letter is addressed to "cher poete" typed in black dense periods to Charles Cameron. The signiture is also typed in periods. The body of the letter is typed in red. The text mentions that the post strike is" a bore for us nonpostmen it may be months before i hear from you before this reaches you where will you be?" -- Source of annotation: Marvin or Ruth Sackner.

Deals with requests to Clarissa? to represent him to shops for sale of his concrete poetic pottery pieces. Comments about what he considered a poor performance of the actors in his Seaweed play. Expresses his displeasure about his daughter's impending marriage to an American sailor. -- Source of annotation: Marvin or Ruth Sackner.

Andrews related a performance that he gave in an art gallery that involved the playing of two 1 1/2 hour simultaneous tapes, various books and sequences on tables, couple dozen, separate, written pieces on wall and a 12' x 7' wall and adjacent 9' x 12' floor taken up by 150 poem cards. He also recommends Victor Ehlich's book "Russian Formalism" for reading as he believes it is relevant to Coolidge's work. -- Source of annotation: Marvin or Ruth Sackner.

Asks about a missing poem of his. -- Source of annotation: Marvin or Ruth Sackner.

Spence describes meeting several German and American mail artists in Germany. Mentions that the Australian networkers might appear in a book by Klaus Peter Dencker in a German edition and perhaps in an Engish edition published by Thames and Hudson. -- Source of annotation: Marvin or Ruth Sackner.

Amirkhanian reminds Curtay of the time of a John Cage reading. -- Source of annotation: Marvin or Ruth Sackner.

Stored with Curtay matgerial. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing describes several works of his to Harris and expresses hopes for contacts in Canadian radio. -- Source of annotation: Marvin or Ruth Sackner.